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ANNA’S HEAVEN

Deeply affecting.

Hole once again tackles the hard issues in children’s literature, this time grief, with his now-signature blend of beautiful, thoughtful and quirky images (Garmann’s Secret, 2012, etc.).

Opening endpapers pay tribute to artist Magritte and begin a series of symbolic patterns with nails falling from a blue sky with puffy clouds. The quiet story starts as Anna, a girl with bold red hair, and her restless father prepare to do something difficult. Numerous clues, including a cloudlike woman’s face looking down from the sky, tell readers that the young girl’s mother has died before Anna acknowledges it. As Anna begins to ask such difficult questions as “How can God keep his eye on everyone?” her world turns dreamlike with Italianate designs and surreal imagery. Soon Anna and her father fly through a hole in the sky—which appears airy on some pages, as an underwater world on others and even a mix with butterflies and jellyfish floating together—as they make their way to heaven. They take turns questioning and offering possibilities (“Perhaps she’s in Paradise, doing some weeding”), finding comfort in their personal reflections, even if they don’t have all the answers. A hopeful ending offers a fitting closure to this intelligent picture book that will resonate with grieving children and adults alike. Readers of Hole’s previous books will also find subtle humor in repeat characters.

Deeply affecting. (Picture book. 8-11, adult)

Pub Date: Sept. 8, 2014

ISBN: 978-0-8028-5441-4

Page Count: 42

Publisher: Eerdmans

Review Posted Online: May 31, 2014

Kirkus Reviews Issue: June 15, 2014

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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ESCAPE FROM BAXTERS' BARN

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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