THE TRAVELLER AND OTHER STORIES

Life in contemporary Ireland is bracketed in these 12 tales—all but one of them reprints—by the experiences of young people who’ve scarcely tasted it and veterans who wish they hadn’t.

Neville’s foreword notes the pleasure he takes in writing stories that provide a break from the long-haul commitments of his novels. But that break is severely limited by both the stories’ thematic consistency and their recycling of characters and plotlines from the novels. The six stories in “New Monsters,” the first part of the collection, focus on innocents, mostly children, forced all too early in life to confront the ghosts of the past. A boy struggles to deal with the sudden absence of his mother in “Coming in on Time.” The title character of “Echo” is defined by his uncanny bond to the sister who died before he was born. “London Safe” tracks a grown man’s ill-fated reunion with the father who left him as a child. In the second part, “Old Friends,” the focus shifts to the ghosts themselves, dead-eyed souls like IRA hard case Gerry Fegan (last seen in The Ghosts of Belfast, 2009) and aging killer Albert Ryan (from Ratlines, 2013), who can’t forget the violent roles they’ve taken in the Troubles. Child and ghost collide most memorably in The Traveller, the concluding novella, in which Ellen McKenna, the daughter of pensioned cop Jack Lennon (from The Final Silence, 2014), is caught in the crossfire between her father and the nameless assassin, long presumed dead, who’s targeted him for a client who, like everyone else in Neville’s remorseless world, just can’t let the past go.

Irish noir done to a turn, with just enough tearful sentiment to turn the screws tighter.