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BLUE WATER, GREEN SKIPPER

A MEMOIR OF SAILING ALONE ACROSS THE ATLANTIC

An entertaining adventure tale worthy of republication.

Republication of the real-time maritime adventures of the bestselling crime-thriller author.

In 1973, fed up with more than a decade in advertising and yet to finish the first of his 50 novels, Woods (Unnatural Acts, 2012, etc.) decided to take time off. He moved to a remote coastal area in Ireland, “an ideal place…[with enough] peace and quiet to make it very difficult to find an excuse not to write.” Instead, he tried his hand at sailing, connecting with the local sailing club and becoming quickly hooked, despite an early misadventure with a borrowed dingy in which a rapid incoming tide almost swamped his car. Undaunted, Woods purchased a 30-foot cruising yacht designed to his own specifications. Less than two years later, he had qualified for and entered the 1976 Single-Handed Transatlantic Race. Originally published in 1977, this then-debut memoir describes the author's two-year apprenticeship in the lore of the sea, from navigation to boat design, a journey that culminated in a hair-raising six-week solo, trans-Atlantic sail. Of the 125 boats that started in 1976, 36 dropped out and five sank, and there were two deaths by drowning. The author finished 63rd, an impressive accomplishment. In addition to frightening winds and other nasty weather, Woods’ challenges included disturbed sleep, diminishing food and water, a series of structural failings and mechanical problems. Solitude did not prove to be a serious problem, although he suffered from the hallucinatory experience of hearing a nonexistent phone ring.

An entertaining adventure tale worthy of republication.

Pub Date: Aug. 2, 2012

ISBN: 978-0-399-16111-7

Page Count: 224

Publisher: Putnam

Review Posted Online: June 3, 2012

Kirkus Reviews Issue: June 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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