No more shapeless than usual but definitely weirder.
Has Stone Barrington finally bedded a woman too lethal?
Readers eager to find out will have to make it past the opening movement, in which the New York attorney most welcomed at high-end establishments is unaccountably eclipsed by Mickey O’Brien, a retired NYPD detective whose gambling problem has gotten him into serious trouble with both his creditors and his mother, restaurant heiress Louise O’Brien O’Brien, who swears this is the very last time she’ll bail him out. She showers him with money she was going to leave him in her will, and Mickey, breaking every rule in the suspense writer’s playbook, pays everybody off. Fans who’ve noticed Woods’ recent habit of pairing with other writers might suspect that these opening chapters had been ghostwritten if Mickey didn’t instantly indulge in Stone’s favorite habits: binge-buying upscale lifestyle commodities and seducing the women making them (and themselves) available. Tired, happy, and sexually sated, Mickey abruptly recedes, clearing the way for Stone to step back into the escalating tussle over who has the strongest claim to the $1 million the late criminal mastermind Eduardo Buono gave Jack Coulter, back when he was Johnny Fratelli, to watch Buono’s back in Sing Sing. At length Stone’s path crosses that of nightclub singer Hilda Ross, who moonlights as a contract killer. Other limbs cross, and consigliere Sal Trafficante, who works with Don Antonio Datilla and plays with Hilda, takes baleful note. Will Sal kill Stone? Will Stone kill Sal? Will Hilda kill one or both of them? The only way to resolve these burning questions, it seems, is to bring in Mickey O’Brien one last time.
No more shapeless than usual but definitely weirder.Pub Date: Aug. 3, 2021
ISBN: 978-0-593-33166-8
Page Count: 336
Publisher: Putnam
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.
Following her father’s sudden death, Aisling Swann is secretly horrified when her mother begins to date again—and she quickly becomes suspicious of this new flame.
Four years ago: A mysterious male narrator reflects upon his relationship with his wife—along with a few pointed comments about how she is aging. It quickly becomes apparent that this self-proclaimed “very pleasant” man is not who he seems; he already has a girlfriend on the side, and he’s playing both women with sob stories about his job and his traumatic past while taking money from them. Even as they get more and more frustrated with his lack of communication during ever-lengthening absences, he still gives them what they want: “a top-notch husband.” In the present day, Ash Swann; her brother, Arlo; and their mother, Nina, mourn the loss of her charismatic father, Paddy, a successful chef with a chain of lucrative restaurants. Nina receives a sympathy note from a man who claims to have worked closely with Paddy in the industry, which leads to a robust online flirtation that moves into the real world about a year after her husband’s death. Ash is living at home, mired in grief as well as her own mental health struggles, and she’s none too happy to see her mom dating—but particularly this handsome, egregiously suave Nick Radcliffe. Ash begins to notice some inconsistencies with his stories and his past, so she enlists Paddy’s ex-girlfriend Jane to help her investigate. Meanwhile, Ash’s story continues to intercut that of the mysterious man who is now married to his former girlfriend—and still up to his old tricks. Jewell’s cutting between past and present certainly allows revelations to ooze out at a slow, controlled pace; even as the reader makes obvious connections, the full picture remains obscure. Jewell has written some incredibly engaging and strong female characters, Nina, Ash, and Jane foremost among them. What would it have been like to split the narrative between them instead of giving so much voice—and thus narrative power—to the male antagonist?
Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.Pub Date: June 24, 2025
ISBN: 9781668033876
Page Count: 384
Publisher: Atria
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
Even when King is not at his best, he’s still good.
Two killers are on the loose. Can they be stopped?
In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.
Even when King is not at his best, he’s still good.Pub Date: May 27, 2025
ISBN: 9781668089330
Page Count: 448
Publisher: Scribner
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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