Longtime fans of the series who refuse to hold their breath waiting for these two plots to be connected—this is Woods, after...
New York lawyer Stone Barrington (Wild Card, 2019, etc.) celebrates his 50th appearance by bedding two new women, each of whom leads him to criminal complications.
Minding his own business lying on the deck of his yacht off Key West, Stone hears, then sees, an airplane falling from the sky. He dives into the water, pulls the pilot to safety even before a police chopper can arrive, and discovers that the rescue diver is a beautiful woman. Since Detective Max—don’t call her Maxine—Crowley of the Key West Police Department doesn’t believe in one-night stands, she and Stone don’t have sex till their second night together. By that time, someone has already relieved the wrecked plane of the watertight suitcases Stone saw perfectly well as he was grabbing pilot Al Dix, who disappears from the hospital shortly after a woman masquerading as a nurse tries to kill him. It’s only a matter of time before the plane itself vanishes, leading NYPD Commissioner Dino Bacchetti, an old friend of Stone's, to reflect sagely, “missing pilot, missing cargo, and now, missing airplane.” With nothing more than Max’s charms to keep him in Key West, Stone is soon back in New York, where he’s picked up at a bar by clothing designer Roberta Calder, who, on learning that Stone doesn’t sleep with married women, announces that she wants to divorce Randall Hedger, her estranged husband. To avoid an unseemly conflict of interest, Stone hands the proceedings over to his associate Herb Fisher, who’s doing a great job until the murders of Hedger and Robbie’s friend Estelle Parkinson, a socialite, make Robbie’s divorce unnecessary but accentuate her need for legal representation even further when she’s arrested for murder. With this many felonies to keep track of, it’s no wonder the cast consumes a record number of gimlets.
Longtime fans of the series who refuse to hold their breath waiting for these two plots to be connected—this is Woods, after all—will be pleasantly surprised when they do. Who said the age of miracles is past?Pub Date: Aug. 13, 2019
ISBN: 978-0-593-08313-0
Page Count: 320
Publisher: Putnam
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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