A frank indulgence for the author and readers who share his preference for abrupt scene changes over a consequential plot.
Stone Barrington’s latest dalliance with President Holly Barker at his Maine island retreat is interrupted by the discovery of a dead man.
CIA director Lance Cabot commands that the twice-shot man, who's carrying CIA identification under the name John Collins, be moved from the deck of the Dark Harbor ferry to Stone’s garage, but Holly doesn't think he actually knows the dead man. When Stone returns home to Manhattan, he's soon visited by Collins’ widow, model-turned–fashion magazine editor Vanessa Morgan whom he proceeds to solace between the sheets. He’s disconcerted when Vanessa reports that the husband whose death interrupted their divorce is very much alive. Stone and his old NYPD partner, Commissioner Dino Bacchetti, are soon in a position to confirm these reports—and so is Lance, despite his initial resistance to them. Sadly, Jack Collins, who turns out to be a friend of Stone’s from NYU Law School, is given precious little to do after returning from the grave, as the focus shifts to Stone’s attempts to keep Vanessa and himself from being targeted for death by Valery Majorov, the Russian operative who thought he’d killed Jack. Stone spirits Vanessa off to Windward Hall, his estate in England, where he introduces her to MI6 director Dame Felicity Devonshire and they all fall into bed together. On their return to New York, though, both Stone and Vanessa find themselves in the sights of a resourceful female assassin who just won’t take no for an answer.
A frank indulgence for the author and readers who share his preference for abrupt scene changes over a consequential plot.Pub Date: Oct. 11, 2022
ISBN: 978-0-593-54003-9
Page Count: 272
Publisher: Putnam
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.
More than a decade after a Georgia man is convicted of a monstrous double murder, an uncomfortably similar crime frees him and resets the search for the guilty party.
In Clifton County, home to the Rich Cliftons and the other Cliftons, the disappearance of teens Madison Dalrymple and Cheyenne Baker during the Halloween festivities hits everyone in North Falls hard. Working with her father, Sheriff Gerald Clifton, Deputy Emmy Lou Clifton hears the clock ticking down as she races frantically to get leads on the two friends, who’d been secretly plotting to take off for Atlanta after some undisclosed big score. As a longtime friend of Madison’s mother, Hannah, Emmy hopes against hope to find the missing teens before they’re both dead. By the time Emmy’s hopes are dashed, two unpleasantly likely suspects with strong attachments to underage sex partners have emerged, and one of them ends up in prison. In a bold move, Slaughter jumps over the next 12 years to the case of Paisley Walker, a 14-year-old whose disappearance catches the eye of retiring FBI criminal psychologist Jude Archer, who promptly crosses the country to come to Clifton County and take charge—um, that is, consult—on this heartrending new investigation. Emmy, suddenly and shockingly deprived of counsel from the parents who’ve supported her all her life, doesn’t get along any better with Jude than with the larger circle of Cliftons and the Clifton-Cliftons. But together they identify one new suspect, then another, before a shootout that arrives so early you just know there are still more surprises to come.
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.Pub Date: Aug. 12, 2025
ISBN: 9780063336773
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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