Apart from all the big names tossed in to cow Casselli, Woods mostly soft-pedals the usual gratuitous inflation and...
A former New York Mafioso who’s fled home to Italy kidnaps the latest inamorata of the redoubtable Stone Barrington (Hot Pursuit, 2015, etc.). Big mistake.
Stone’s flown the Atlantic at an hour’s notice, flirting en route with painter Hedy Kiesler, to vote in favor of opening a new Arrington Hotel in Rome. No sooner have the contracts been signed than trouble erupts. The unfinished hotel already standing abandoned on the site is torched; Stone’s borrowed car is stolen and set alight as well; he gets several increasingly overt threats encouraging him to go home and forget the deal; and it’s clear that they’re coming from Leonardo Casselli, the patriarchal mobster who just hates being called Leo. Packing Hedy off from his hotel bed in Rome to another bed in Paris, Stone stays just long enough to read the riot act in response to Casselli’s suave luncheon offer of extortionate “protection,” threatening him with the extensive resources of Massimo Bertelli’s Italian Anti-Mafia Investigative Department; Stone’s unfathomably wealthy business partner Marcel duBois; his buddy Mike Freeman’s company, Strategic Services; his even closer buddy Commissioner Dino Bacchetti’s New York Police Department; and President Katharine Rule Lee, another close personal friend. Then he hastens back to Rome, leaving Hedy in his Paris house, from which she’s promptly abducted. Stone soon finds out that Casselli’s holding Hedy in an impregnable house on the Amalfi coast; Casselli soon finds out that Stone wasn’t kidding about all those connections.
Apart from all the big names tossed in to cow Casselli, Woods mostly soft-pedals the usual gratuitous inflation and extraneous subplots, keeping things simple, straightforward, and pleasantly predictable.Pub Date: Oct. 27, 2015
ISBN: 978-0-399-17467-4
Page Count: 320
Publisher: Putnam
Review Posted Online: July 27, 2015
Kirkus Reviews Issue: Aug. 15, 2015
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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