Woods notes in closing that his editor requested no changes in his manuscript, since nothing needed fixing. Readers may well...
Hours after his latest lover dumps him, that paragon of lawyer/adventurers Stone Barrington (Cold Paradise, 2001, etc.) is en route to London for a round of intrigue that does indeed seem to go on forever.
Stone’s charge is simple: to rescue John Bartholomew’s niece, Erica Burroughs, from the clutches of drug mule Lance Cabot and get Cabot arrested for something or other before Stone returns to the US with Erica. But the job is complicated by the fact that John Bartholomew doesn’t exist and Erica Burroughs (who’s soon fixed Stone up with her eligible sister Monica) doesn’t have an uncle. Even murkier waters open when the sisters take Stone to a house party at the home of painter Sarah Buckminster, another of his inexhaustible supply of ex-lovers, and he’s on hand to see Sarah’s fiancé, wine trader James Cutler, fall to his death from her yacht. Or did Sarah, overenthusiastic at Stone’s return, really arrange his demise? Just when you think the story’s settled into a mystery mold, Woods changes course again, like a kindergartner with a short attention span, and drops Stone into the middle of the mutual recriminations of Bartholomew and Cabot, each of whom insists the other is a ruthless criminal spy (and there’s evidence they both may be right). To the smorgasbord of plotlines already on display—Bring Home the Lady, Did She or Didn’t She, and Who Do You Trust—Woods eventually adds a fourth when Cabot inveigles Stone into a fast-money scheme to smuggle an unnamed McGuffin out of its closely guarded industrial home and into the hands of international provocateurs. Seasoned fans will know better than to take the spy stuff any more seriously than the rest of this potluck supper.
Woods notes in closing that his editor requested no changes in his manuscript, since nothing needed fixing. Readers may well come up with other explanations.Pub Date: April 1, 2001
ISBN: 0-399-14868-X
Page Count: 336
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2002
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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