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BESSIE SMITH AND THE NIGHT RIDERS

A little-known episode in legendary blues singer Bessie Smith’s career comes to life in this playfully fictionalized account. Emmarene Johnson is thrilled when Smith comes to Concord, N.C., for a concert, and she goes to the tent set up on the outskirts of town in the hopes of peeping in through the flap. There she sees the Night Riders gathering, torches lit and obviously up to no good. Acting on the little girl’s warning, Smith confronts the hooded Klansmen and faces them down. Holyfield’s bright acrylics place Emmarene right at the center, keeping the focus on her and her glamorous idol as she tells her story. There is an unresolved tension here between narration and content, as Emmarene’s cheerily positive telling never admits to the stark terror the encounter would seemingly evoke. Stauffacher provides a contextualizing author’s note that fleshes out the details of the actual event but also regrettably implies that the Ku Klux Klan was a phenomenon of the early 20th-century South. Given that this is likely to be many readers’ first introduction to both Smith and the Klan, it is too bad that it is not more substantial. (Picture book. 5-8)

Pub Date: Jan. 1, 2006

ISBN: 0-399-24237-6

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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OTIS

From the Otis series

Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-399-25248-8

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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JOE LOUIS, MY CHAMPION

One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)

Pub Date: May 1, 2004

ISBN: 1-58430-161-9

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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