A subtle morality tale that will appeal to readers of all ages.
Published to great success in Korea, Hwang’s short novel is an adroit allegory about life.
Sprout’s a caged laying hen on a small farm. Sprout yearns for freedom, for a chance to mother one of the eggs taken from her. She has given herself the name Sprout because she "wanted to do something with her life, just like the sprouts on the acacia tree," something she only sees in her rare glimpses of the world outside flourishing in the barnyard. In her discontent, Sprout grows morose, frail, only to find herself culled from the flock and tossed into the "Hole of Death." Sprout, near suffocation, hears a warning from Straggler, a stray mallard duck tagging along with the farm’s other ducks. She’s in danger of being scavenged by a weasel. That night, Sprout slips into the barn with the other farm animals, but she’s shunned. The lonely Sprout decides to follow Straggler and one of the other ducks out beyond the farm. The other duck is killed, but Sprout finds her egg. With brave Straggler standing watch for the deadly weasel, Sprout broods the egg, thinking, "My dreams are coming true." But after the egg hatches, she begins to comprehend that Baby, as she calls him, will grow to become Greentop, a duckling with his own destiny. Hwang has penned an anthropomorphic allegory with allusions to prejudice, to sacrifice and to the recognition of destiny, a fable in the vein of classics like Charlotte’s Web and Jonathan Livingston Seagull. Hwang’s story of Sprout also speaks of family and love, of courage and loss, and of the value of the individual in the face of mindless conformity. Translator Kim does stellar work in rendering the tale into colloquial English, and the narrative is decorated with minimalist pen-and-ink drawings from the Japanese artist Nomoco.
A subtle morality tale that will appeal to readers of all ages.Pub Date: Nov. 26, 2013
ISBN: 978-0-14-312320-0
Page Count: 144
Publisher: Penguin
Review Posted Online: Sept. 15, 2013
Kirkus Reviews Issue: Oct. 1, 2013
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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