Lacks the zest of the earlier books and doubles down on the weak writing.
An elite Black community in coastal Maryland learns that the mayor has a “secret love child.”
Having set her previous Summer Beach books in the enclaves of Oak Bluffs, Massachusetts, and Sag Harbor, New York, The View host Hostin closes up shop in Highland Beach, a resort community founded in the late 19th century by Frederick Douglass’ son. According to its website, it is "residential only, does not offer opportunities for tourism and cannot accommodate visits from the general public." Hostin definitely conveys that attitude as her character Olivia Jones pays a hesitant first visit to the snooty town, whose mayor is her long-estranged father, Charles "CJ" Jones, whose reelection will be compromised by her arrival. (Olivia’s complicated backstory is explained hastily and will remain opaque to those who haven’t read the first two books.) She is also meeting for the first time her evil grandmother, Christine Douglass-Jones (that Douglass), a woman who sees the death of two of her three children as more a reputation problem than a cause for mourning. Don’t feel sorry for me, she tells an old enemy, "I have money, class, and I’ve traveled to places you’ve only dreamed of." Maybe this is meant to be a laugh line, but some of the wooden dialogue, the tabloid-type gossip about Frederick Douglass, and the oddly placed, uninspiring descriptions of people’s attire are not. In one laugh-out-loud moment, a deus ex machinacharacter storms into a town meeting “wearing an ankle-length persimmon dress.” No designer or anything! As in previous books, characters rely on therapy to deal with their messy lives and romances (Olivia has managed to screw up a good thing she had going in Sag Harbor). The wisdom of Olivia’s therapist, Dr. LaGrange, saves the day: “Life is a journey. You hit a milestone and then you move on to your next goal. The work never really ends. Nor should it.” This beach trilogy, however, should.
Lacks the zest of the earlier books and doubles down on the weak writing.Pub Date: May 28, 2024
ISBN: 9780062994257
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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