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KAMALA RAISED HER HAND

High on inspirational language, somewhat vague on specific facts; still, demand will be brisk.

A rapturous tribute to the “first Black American, first woman, and first South Asian American vice president in American history.”

Mirchandani confines this celebratory biographical sketch largely to a set of highlight-reel glimpses of times when Kamala Harris figuratively raised her hand, an act that the author defines expansively as “showing everyone—and yourself—that your voice is power. And that you are powerful.” So, having learned about the gesture on Civil Rights marches with her parents, she “stood up” to a bully in kindergarten (though precisely what this entailed is never made clear), wrote anti-war letters to President Nixon, organized a children’s protest when she was 12, and went on to law school. Later, she stood for various political offices, including, as a tacked-on finale notes, “when America needed a president—and Americans needed hope,” in the summer of 2024. In textured cloth and cut-paper collage scenes, Kelkar shows Harris raising her hand as a child, in court, on the campaign trail, and while taking an oath of office; a final scene shows her waving to a silhouetted crowd that’s waving back. “You aren’t just the future,” the author writes, addressing readers in a personal afterword; “you are the present, too.” She closes with a photo of her own young daughter, hand raised, dressed in a “Kamala” shirt.

High on inspirational language, somewhat vague on specific facts; still, demand will be brisk. (author’s and illustrator’s notes) (Picture-book biography. 6-8)

Pub Date: Oct. 29, 2024

ISBN: 9780316587730

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Aug. 30, 2024

Kirkus Reviews Issue: Oct. 1, 2024

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BASKETBALL DREAMS

Blandly inspirational fare made to evoke equally shrink-wrapped responses.

An NBA star pays tribute to the influence of his grandfather.

In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)

Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-81003-8

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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I AM RUBY BRIDGES

A unique angle on a watershed moment in the civil rights era.

The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.

Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)

A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)

Pub Date: Sept. 6, 2022

ISBN: 978-1-338-75388-2

Page Count: 48

Publisher: Orchard/Scholastic

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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