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GREENWITCH

The epic confrontation between the Light and the Dark continues (see The Dark is Rising, KR, 1973), and now the battlefield is magic-favored Cornwall where the Greenwitch — a totem figure annually sacrificed to the sea — has stolen the manuscript which Old Ones Merriman Lyon and Will Stanton need to defeat the powers of evil. The supernatural forces that converge for this chapter of the quest are sharply drawn and breathtakingly impressive — particularly the whining petulant Greenwitch who has no understanding of the importance of his stolen "secret" but calls armies of ghostly Norsemen from the sea to protect his prized possession. And the emissary of the dark, who lives in a gypsy caravan and literally paints his spells on canvas, is a fine example of an over-ambitious junior grade devil. It still seems to us that the metaphor of the final "all-time" struggle between "Light" and "Dark" is too grandiose and abstract. Imagine going meekly to bed, as do Barney, Simon and Jane, while the devil and the spirits of the sea wage war outside your cottage window. Imagine evil incarnate, fighting for its very life, having no better agent than the skulking, unreliable landscape painter. Cooper never lets us forget that this is the sort of grand moral struggle that can be fought without ever missing one's evening cup of cocoa. It all would be more exciting if there were just a little real risk involved, but the literally earth-shaking fireworks are nevertheless quite a show.

Pub Date: April 17, 1974

ISBN: 1416949666

Page Count: 182

Publisher: Atheneum

Review Posted Online: Oct. 27, 2011

Kirkus Reviews Issue: April 1, 1974

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THE POISONED KING

From the Impossible Creatures series , Vol. 2

A spectacular return to a magical world.

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Following the events of Impossible Creatures (2024), a devoted Guardian teams up with a brave princess to fight her power-hungry uncle and save the Archipelago’s dragons from a strange new threat.

Jacques the dragon summons Christopher Forrester back to the Archipelago from the human world: Dragons are dying, and no one knows why. Meanwhile, on the island of Dousha, Princess Anya’s grandfather, King Halam, has been murdered, and her father accused—though she knows he’s innocent. When Christopher and Anya take refuge on the islet of Glimt, the Berserker Nighthand helps them see how their twin missions to save the dragons and free Anya’s father are connected. They work together to create an antidote for the poison that’s killing the dragons and to keep Anya and her father safe from her murderous uncle. Meanwhile, Nighthand and Irian, the part-nereid ocean scholar, pursue their own important secret mission. Divided into three parts—“Castle,” “Dragons,” and “Revenge”—and containing elements of fairy tales, fantasy, and Shakespeare, this story continues the storyline established in the series opener, yet because it introduces new characters and obstacles, it could also stand alone. Dark-blond Anya (“five feet tall and all of it claws”) is a match for white-presenting Christopher, who, though he still misses Mal, finds that “it made a difference to have someone to move through the world with again. A friend changed the feel of the universe.” Mackenzie’s delicate, otherworldly art adorns the text.

A spectacular return to a magical world. (map, bestiary) (Fantasy. 10-15)

Pub Date: Sept. 11, 2025

ISBN: 9780593809907

Page Count: 304

Publisher: Knopf

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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