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JETHRO AND THE JUMBIE

"Tom? It have my birthday next week," Caribbean islander Jethro reminds his older brother. But Thomas, who had promised to take Jethro fishing when the little boy turned eight, now says "You not big enough, man. How could tell that you wouldn't grow none? Got to be big to help haul them fishpots. Muscle." Well, this makes Jethro so mad that he marches right through the woods on the fearsome jumbie trail; and even when he sees a jumbie—a sort of ghost in the form of a fuzzy ball of light—he speaks right up and tells it, "You don't scare me none. You not real." In a central episode which suggests that Tinker Bell has come to the islands, the fading, sobbing jumble confesses to its dependence on being believed in, and Jethro relents. In return, the jumble gives Thomas a dream that changes his mind about taking Jethro fishing. "Sometimes things that ain't real can be a whole big help to people that are," says Jethro. On the jacket flap Cooper says that she wanted to remind children of the "music and vitality of regional language." The idiomatic speech and other regional touches give the well-made little story some color, though like the jumbie it lacks the fullness of life that would convince you it's real.

Pub Date: Oct. 19, 1980

ISBN: 0689501404

Page Count: 36

Publisher: Atheneum

Review Posted Online: Oct. 27, 2011

Kirkus Reviews Issue: Oct. 1, 1980

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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AFTER THE FALL (HOW HUMPTY DUMPTY GOT BACK UP AGAIN)

A validating and breathtaking next chapter of a Mother Goose favorite.

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Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.

An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.

A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62672-682-6

Page Count: 45

Publisher: Roaring Brook Press

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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