by Susan Cooper & illustrated by Warwick Hutton ‧ RELEASE DATE: April 21, 1983
Hutton's grave, spare, muted watercolors—with their soft expanses of Welsh mountain meadows, lake, and sky—nicely suit this grave, measured, quiet tale. But whether the ensemble will attract many children of picture-book age is doubtful. The story centers on "mean," niggardly farmer Gwilym Hughes; his harp-playing son Huw, prevented from going to school by his father's penury; and the silver cow sent out of the lake by the magic people, the Tylwyth Teg, in response to Huw's harp-playing. The silver cow mates with farmer Hughes' black Welsh cattle—"and every calf to which she gave birth was silver-gleaming as herself, and grew up to give milk as marvelous as her own." Farmer Hughes grows rich, but no more inclined to let Huw go to school. And when the silver cow grows too old to give milk, he doesn't hesitate to call the butcher—whereupon a voice comes from the lake, "sweet as the song of a lark rising, but cold with rage," calling the silver cows home. Farmer Hughes is ruined, and Huw sets off—pausing at the lake, where the surface is "starred now with the broad floating blossoms of white water-lilies. . . . " Quite lovely, and even stirring, as pictured—for the occasional, dreamier child.
Pub Date: April 21, 1983
ISBN: 0689715129
Page Count: 36
Publisher: Atheneum
Review Posted Online: Oct. 27, 2011
Kirkus Reviews Issue: April 1, 1983
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by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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