Most picture-book war stories are long on history but short on humor—until now. When a young man enlists in the Union Army, he’s annoyed, embarrassed and frustrated when his cow persists in following him into battle. “That dadblamed cow! When I went to join the Union army, she did not stay home like a regular cow but followed me down to the enlistment office.” She’s persnickety about eating unstomped grass; swats flies off the soldiers’ heads with her tail; provides body heat on frosty nights and milk when food is scarce. When the soldier is hit with a musket ball, his cow helps nurse him back to health. When the war is over, a newspaper reporter takes her photo and folks come from miles around to scratch between her horns and admire the cow that’s been awarded a medal by the Captain for “brave and unusual service to country.” An author’s note explains that the story is true, based on newspaper reports from the Civil War. It’s the telling in the soldier’s voice that engages the reader and captures just the right tone without caricaturizing or sensationalizing. Root’s droll style perfectly portrays the story with homespun flavor and military-blue–dominant illustrations that express human and bovine characteristics. (Picture book/historical fiction. 5-8)
Pub Date: July 1, 2007
ISBN: 978-0-7636-2263-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2007
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
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