A satisfying, behind-the-scenes look at the work of an unsung designer.
Louis Comfort Tiffany, son of the famed jeweler and the man responsible for the iconic Tiffany stained glass windows, employed a crew of workers, including the “Tiffany Girls,” led by Clara Driscoll.
In 1888, Clara, an artist inspired by nature on her girlhood farm in Ohio, moved to New York City for school. Her sketches of flowers landed her a job with Mr. Tiffany. At first, Clara’s job was to choose and cut colored glass “gleaming like jewels” for Tiffany’s window designs. Her talents generated notice, and soon she led “the only shop of women glass cutters in the world.” Goldman Rubin describes how the windows were designed and assembled, and she provides some history of the cooperation and competition between men and women at Tiffany’s studio, including the perhaps surprising fact that they received equal pay. Eventually, Clara created her own designs for Tiffany’s lamps. One, inspired by dragonflies, earned her a bronze medal from the 1900 Paris World’s Fair. Clara designed lamps with butterflies, poppies, tulips, and flowering wisteria vines, which became “Tiffany’s most famous.” In Chapman’s resplendent accompanying illustration, shimmering with purples, yellows, and greens, Clara is dwarfed by the comparatively giant lamp—a fitting tribute to her outsize, little-known contribution to the art world. A secondary story based on Clara’s letter to her family about her work appears in Chapman’s joyously colored strip illustrations, along with excerpts from the correspondence.
A satisfying, behind-the-scenes look at the work of an unsung designer. (author’s and artist’s notes, archival photographs, where to see artworks by Clara Driscoll, bibliography, notes) (Picture-book biography. 7-10)Pub Date: Feb. 11, 2025
ISBN: 9781419754364
Page Count: 48
Publisher: Abrams
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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