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THE GLASS ANGELS

A charming, old-fashioned story of poverty's hardships dispelled in time for Christmas, set in Britain soon after WW II. Tilly and her widowed mother share a rundown apartment, supported by the mother's sewing. When her mother falls ill, Tilly cares for her with the help of a kind doctor; then, when a leaky roof ruins an unfinished wedding dress of expensive satin, she bravely elects to confide in the bride-to be, though she has previously felt uncomfortable in the well-to-do Kendalls' home. Miss Kendall and her family respond generously, not only providing a hamper of goodies and funds for new satin but also insisting that the stingy landlord make much-needed repairs. Meanwhile, Tilly's friend downstairs—a nice old lady who has trunks full of treasures from better times—has given her some treasured ornaments that help make Christmas complete. The sentimentality here is effectively tempered by the brisk, economical telling. Littlewood adds frequent crosshatched vignettes, in the manner of Ardizzone, plus a dozen sweetly evocative full-page paintings. Without the verve of Rumer Godden's stories, but with similar appeal: a pleasing holiday heartwarmer. (Fiction. 8-11)

Pub Date: Oct. 1, 1992

ISBN: 1-56402-111-4

Page Count: 96

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1992

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HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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DONAVAN'S WORD JAR

Donavan's friends collect buttons and marbles, but he collects words. ``NUTRITION,'' ``BALLYHOO,'' ``ABRACADABRA''—these and other words are safely stored on slips of paper in a jar. As it fills, Donavan sees a storage problem developing and, after soliciting advice from his teacher and family, solves it himself: Visiting his grandma at a senior citizens' apartment house, he settles a tenants' argument by pulling the word ``COMPROMISE'' from his jar and, feeling ``as if the sun had come out inside him,'' discovers the satisfaction of giving his words away. Appealingly detailed b&w illustrations depict Donavan and his grandma as African-Americans. This Baltimore librarian's first book is sure to whet readers' appetites for words, and may even start them on their own savory collections. (Fiction. 8-11)

Pub Date: June 30, 1994

ISBN: 0-06-020190-8

Page Count: 72

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1994

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