Lowell and Cecil (Little Red Cowboy Hat, 1997) return to cowboy twists on nursery tales when they take Goldilocks and plunk her down in Montana in this spry retelling of a classic. Hewing to the original fairly closely, Lowell adds a few licks of her own: there’s Dusty Locks, a rapscallion who hasn’t taken a bath for a month of Sundays, and the bears are a family of grizzlies. Dusty raids the bears’ digs after they go for a walk while their beans are cooling. She scarfs the cub’s beans (the others are so spicy or too bland), busts the cub’s stool (by mistake), and takes to the cub’s bed when Papa Bear’s pile of prickly branches and Mama’s featherbed don’t suit her. When she awakens to the three bears staring down at her, she hightails it home and submits to a good washing. She’d never be recognized with her new sweet scent. Lowell trots out a good bunch of expressions—“cross as two sticks” and “no more manners than a pig in a peach orchard”—and the tale sparks with pert humor: When the bears find Dusty Locks sleeping in the cub’s bed, Mama Bear notes, “Smells mighty whiffy in here!” And though the story’s momentum is somewhat on the clunky side, the comedy keeps the wheels turning, as do Cecil’s pictures of goofy bears in cowboy boots and kerchiefs. (Picture book. 4-8)
Pub Date: May 1, 2001
ISBN: 0-8050-5862-1
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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