Another winner featuring the author’s trademark blend of meticulous research and scintillating writing.
The beloved author gathers a wide-ranging selection of pieces about animals.
“Animals have always been my style,” writes Orlean at the beginning of her latest delightful book, a collection of articles that originally appeared in “slightly modified form” in the Atlantic, Smithsonian, and the New Yorker, where she has been a staff writer since 1992. The variety on display is especially pleasing. Some essays are classic New Yorkerprofiles: Who knew that tigers, near extinction in the wild, are common household pets? There are at least 15,000 in the U.S. Her subject, a New Jersey woman, keeps several dozen and has been fighting successful court battles over them for decades. Lions are not near extinction, however; in fact, there are too many. Even in Africa, far more live in captivity or on reserves than in the wild, and readers may be shocked at their fate. Cubs are cute, so animal parks profit by allowing visitors to play with them. With reserves at capacity, cubs who mature may end up shot in trophy hunts or in stalls on breeding farms to produce more cubs. In “The Rabbit Outbreak,” Orlean writes about how rabbit meat was an American staple until replaced by beef and chicken after World War II, whereupon rabbit pet ownership surged. They are now “the third-most-popular pet in the country, ranking just behind dogs and cats.” Readers may be aware of the kerfuffle following the hit movie Free Willythat led to a massive campaign to return the film’s killer whale to the wild, and Orlean delivers a fascinating, if unedifying account. The author handles dogs like a virtuoso, with 10 hilarious pages on the wacky, expensive, but sometimes profitable life of a champion show dog. Among America’s 65 million pet dogs (according to a 2003 report), 10 million go astray every year, and about half are recovered. Orlean engagingly recounts a lost-dog search of epic proportions.
Another winner featuring the author’s trademark blend of meticulous research and scintillating writing.Pub Date: Oct. 5, 2021
ISBN: 978-1-982181-53-6
Page Count: 288
Publisher: Avid Reader Press
Review Posted Online: July 14, 2021
Kirkus Reviews Issue: Aug. 15, 2021
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.
The late heavy metal legend considers his mortality in this posthumous memoir.
“I ain’t ready to go anywhere,” writes Osbourne in the opening pages of his new memoir. “It’s good being alive. I like it. I want to be here with my family.” Given the context—Osbourne died on July 22, 2025, two weeks after the publisher announced the news of this book—it’s undeniably sad. But the rest of the text sees the Black Sabbath singer confronting the health struggles of his last years with dark humor and something approaching grace. The memoir begins in 2018; he wrote an earlier one, I Am Ozzy, in 2010. He tells of a staph infection he suffered that proved to be the start of a long, painful battle with various illnesses—soon after, he contracted a flu, which morphed into pneumonia. A spinal injury caused by a fall followed, causing him to undergo a series of surgeries and leaving him struggling with intense pain. And then there was his diagnosis of Parkinson’s disease, the treatment of which was complicated by his longtime struggle with alcohol and drug addiction. Osbourne peppers the chronicle of his final years with anecdotes from his past, growing up in Birmingham, England, and playing with—and then being fired from—Black Sabbath, and some of his most well-known antics (yes, he does address biting the heads off of a dove and a bat). He writes candidly and regretfully about the time he viciously attacked his wife, Sharon—the book is in many ways a love letter to her and his children. The memoir showcases Osbourne’s wit and charm; it’s rambling and disorganized, but so was he. It functions as both a farewell and a confession, and fans will likely find much to admire in this account. “Death’s been knocking at my door for the last six years, louder and louder,” he writes. “And at some point, I’m gonna have to let him in.”
A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.Pub Date: Oct. 7, 2025
ISBN: 9781538775417
Page Count: 368
Publisher: Grand Central Publishing
Review Posted Online: Oct. 7, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
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