by Susan Robeson ; illustrated by Rod Brown ‧ RELEASE DATE: Jan. 8, 2019
A story worth hearing about a cause worth fighting.
Written by his granddaughter, this biography tells a little-known story of an African-American vocalist who used music to unify people abroad when segregation still ruled in the U.S.
The son of a fugitive slave, Robeson came by his activism earnestly, and prior to his involvement in the Spanish Civil War in the 1930s, he held concerts to raise funds and gather donations for children and families impacted by the conflict. At the height of the war, Robeson insisted that Capt. Fernando Castillo, his guide, take him to the front lines, where he sang for both sides, temporarily stopping the fighting. Brown’s deeply saturated, highly textured illustrations effectively capture the dangers Robeson encountered to try to bring peace to war-torn Spain and his confidence in his ability to make a difference where others considered his attempts at intervention foolhardy and unnecessarily risky. Readers might wonder how Robeson thought a black American could unite a country where he was both a minority and an outsider, but when they see the photograph of Robeson with his multiracial, international family and learn that he spoke and sang in over 15 different languages, it seems clear that Robeson lived multiculturalism; hence, traveling around the world spreading peace through music to bring people together came naturally to him.
A story worth hearing about a cause worth fighting. (Informational picture book. 4-10)Pub Date: Jan. 8, 2019
ISBN: 978-1-60980-882-2
Page Count: 32
Publisher: Triangle Square Books for Young Readers
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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by Monica Brown ; illustrated by John Parra ‧ RELEASE DATE: Sept. 5, 2017
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
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by Ruby Bridges ; illustrated by Nikkolas Smith ‧ RELEASE DATE: Sept. 6, 2022
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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