A potent Sontag capsule compounded of legendarily smart prose and clever editorial decisions.
A crisp new collection of early Sontag pieces on gender, sexuality, and feminism.
The energetic pacing and well-chosen variety of pieces (kudos to editor Rieff, the author’s only child) highlight both Sontag’s ideas at the peak of the women’s movement and the breadth of her boldly ranging rhetoric. “The Double Standard of Aging” reads like a transcript of ambient social attitudes: “Society is much more permissive about aging in men,” while “everyone finds the signs of old age in women aesthetically offensive.” In “The Third World of Women,” Sontag speculates about the means and possibilities of gender and class revolution. “The liberation of women,” she writes, “is a necessary preparation for building a just society—not the other way around, as Marxists always claim.” Writing about “Fascinating Fascism,” the author advances an argument about the lingering endurance of fascist aesthetics with an engrossing evidentiary walk-through: Leni Riefenstahl’s public comeback via a popular paperback on SS uniforms glimpsed at an airport newsstand. Later, in “Double Standard,” Sontag writes about how “beauty, women’s business in this society, is the theater of their enslavement. Only one standard of female beauty is sanctioned: the girl.” Trading open letters with Adrienne Rich, the author is forcefully eloquent. “Virtually everything deplorable in human history,” she writes, “furnishes material for a restatement of the feminist plaint (the ravages of the patriarchy, etc.), just as every story of a life could lead to a reflection on our common mortality and the vanity of human wishes. But if the point is to have meaning some of the time, it can’t be made all the time.” To move through this collection is to watch Sontag practice what she also preaches to cultural critics and to liberated women: “lead the fullest, freest, and most imaginative life she can” and always maintain “her solidarity with other women.” Merve Emre provides the foreword.
A potent Sontag capsule compounded of legendarily smart prose and clever editorial decisions.Pub Date: May 30, 2023
ISBN: 9781250876850
Page Count: 208
Publisher: Picador
Review Posted Online: March 7, 2023
Kirkus Reviews Issue: April 1, 2023
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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