A mouse leads a series of pursuers in a merry chase that lasts exactly one hour. At precisely 6:00 a.m., an orange cat spies “the mouse that started it all” enjoying cookie crumbs while its master sleeps. It leaps out the window after the mouse, only to be itself followed by a dog, then the dogcatcher, a bank robber, and a police officer—to be finally thwarted when the whole parade runs afoul of a grocer’s bananas. Crummel (And the Dish Ran Away with the Spoon, 2001, etc.) employs the tried-and-true rhythms of “The House that Jack Built”; while the rhythm occasionally falters, it does move the story along. The double-paged spreads are framed in a deep blue; the text (preceded by a digital read-out of the time) snakes its way around this border, occasionally moving aside when a picture element breaks the frame. Donohue (Sweet Hearts, 2002, etc.) provides the concept for this offering, according to the title page, and her cut-paper collages offer a bright and cheery setting for the mayhem. While the layering of the papers creates an immediate three-dimensional effect, the figures are arranged against the background with a flat and childlike sense of perspective, making the illustrations as a whole pleasingly in tune with their audience. This flatness of perspective, however, is out of tune with the readouts of the time: the characters simply don’t seem to go very far, despite the generous one-hour allowance. Young children are unlikely to notice this disjuncture, however, and this offering does serve to help them develop a sense of elapsed time; that the story ends at 7:00 with everyone back in place except for a new mouse nibbling the crumbs will give those readers a happy frisson that the romp will begin all over again. (Picture book. 4-7)
Pub Date: March 1, 2003
ISBN: 0-7614-5129-3
Page Count: 32
Publisher: Marshall Cavendish
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Powered by whimsy and nostalgia, a doggone adorable tale of superheroes transforming the world for the better.
Can flying puppies, fueled by people’s hugs, save the world from gloom?
Light-skinned Snarly McBummerpants is busy sending out Mopey Smokes (evil-looking dark brown clouds) from his volcano on the Island of Woe to create a sad state of affairs. But the caped puppies, each equipped with a rocket and hailing from “the outer reaches of NOT-FROM-HERE,” use their abilities to conquer the morose McBummerpants and bring happiness back to everyone’s lives. The meticulously detailed illustrations carry the story, dark colors turning to rainbow hues and frowns turning to smiles. From Big Brad to Tiny Brad, the smallest, most powerful puppy, who “[licks] a kiss right on the tip of Snarly McBummerpants’s nose,” these absolutely endearing pooches elicit a universal “AWWWWWWWWWW!” from all who encounter them. Joyce’s witty illustrations depict diverse children and adults who appear to hail from different decades. Two teenagers wear the bobby socks and saddle shoes of the 1940s and ’50s and sit atop a retro soda cooler. Other kids ride the skateboards of a later era. Laurel and Hardy, classic movie performers who may need introduction, are amusingly pictured as bullies turned florists (a little odd, since only Hardy bullied Laurel). Even McBummerpants seems reminiscent of an old-time movie villain. The text is less inventive than the pictures, but the message of good over evil is always timely.
Powered by whimsy and nostalgia, a doggone adorable tale of superheroes transforming the world for the better. (Picture book. 4-7)Pub Date: Nov. 5, 2024
ISBN: 9781665961332
Page Count: 48
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
Birdsong began her career as a teacher, and the book will find repeated use in the classroom.
A multicultural girl-power manifesto featuring a feisty young girl who faces her day as a knight on an epic quest.
The unnamed narrator puts on her “armor” (a rainbow sweater) and fills her “treasure chest” (a backpack). Venturing forth to “explore new worlds,” she drives back “dragons” (neighborhood dogs on their walk), boards the “many-headed serpent” (her school bus, with schoolmates’ heads protruding from every window), and visits “the Mountain of Knowledge” (the school library) to “solve the mysteries of the unknown.” After standing up for her beliefs—by joining a classmate sitting alone in the cafeteria—the young girl returns home to rest in the lap of an older female relative, possibly a grandparent/primary caregiver, to prepare for the next day, when she can be “fierce again.” Birdsong’s repeated refrain—“I will be fierce!”—underlines the unambiguous message of this sassy picture book, and Chanani’s bold and energetic illustrations reinforce the text’s punchy, feminist-y declarations. They depict a joyously multiracial environment, consciously tackling stereotypes with an elderly, white, female bus driver and a groovy, Asian-presenting librarian with a green streak in her hair. The fierce protagonist herself has brown skin and fluffy, dark brown hair, and her caregiver also has brown skin.
Birdsong began her career as a teacher, and the book will find repeated use in the classroom. (Picture book. 4-7)Pub Date: April 23, 2019
ISBN: 978-1-250-29508-8
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: March 2, 2019
Kirkus Reviews Issue: March 15, 2019
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