by Susan Verde ; illustrated by Juliana Perdomo ‧ RELEASE DATE: April 4, 2023
Much good to see here.
Warm guidance on the difference between looking and seeing.
Verde is well established as a writer skilled at introducing concepts of mindfulness to young readers, with titles such as those in the I Am series, illustrated by Peter H. Reynolds, to her credit. With this latest offering, she collaborates with illustrator Perdomo to invite children to “slow down— / find stillness, and notice / with patience and curiosity.” First-person narration delivers this invitation in the voice of a child who presents Black. The young narrator first distinguishes between looking at a tree and truly seeing the life it experiences and sustains—“Signs of change and letting go, / flowering and feeding, / shading and sheltering. / A place to call home.” The narrator then directly asks readers what they see in the accompanying, brightly colored illustration of flora and fauna alike in an up-close image of the tree’s branches. The following pages continue in this manner, helping readers “see” both tangible and intangible qualities of the world they inhabit, with illustrations echoing illustrator Karen Katz’s style and expanding on the text to prompt careful examination. While the book is engaging, some may notice a missed opportunity for inclusion of visually impaired people, who, while unable to literally look at the world, can surely perceive a great deal in other ways. (This book was reviewed digitally.)
Much good to see here. (Picture book. 3-8)Pub Date: April 4, 2023
ISBN: 9781419761638
Page Count: 40
Publisher: Abrams
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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by Susan Verde ; illustrated by Juliana Perdomo
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Feb. 4, 2025
Another endearing and amusing outing with these winsome characters.
The Crayons love a holiday, and Mother’s Day is no exception.
Every color is different, and so is every mom. Purple’s mother, seated cross-legged in a yoga pose, “doesn’t color inside the lines.” Red’s works tirelessly to support her family, which sometimes means missing holidays. White Crayon adores his mother, “even though he can’t see her” (the accompanying image shows both crayons fading into the white background), while pale lime green Esteban’s mom supports his “dreams of adventure” by helping him pack. All the Crayons celebrate their families on this day, and not all the parents look like their children or are mothers. Laudably, Daywalt and Jeffers depict a variety of different families, allowing many readers to feel seen: Black can’t contain her love for both her mothers, the hair-covered brownish-beige Barfy Crayon embraces his stepmom, Chunky Toddler (a chubby crayon with a bite taken out of him) pays tribute to his dad on Mother’s Day, Yellow and Orange honor their grandmother, and Maroon, presumably adopted, sings the praises of his mom, a pot of glue who literally holds the family together. As in previous Crayon books, Jeffers’ elegantly quirky and humorous illustrations complement Daywalt’s delightful text, which adeptly balances humor and heart.
Another endearing and amusing outing with these winsome characters. (Picture book. 4-8)Pub Date: Feb. 4, 2025
ISBN: 9780593624586
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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by Oliver Jeffers ; illustrated by Oliver Jeffers
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SEEN & HEARD
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