Much good to see here.
Warm guidance on the difference between looking and seeing.
Verde is well established as a writer skilled at introducing concepts of mindfulness to young readers, with titles such as those in the I Am series, illustrated by Peter H. Reynolds, to her credit. With this latest offering, she collaborates with illustrator Perdomo to invite children to “slow down— / find stillness, and notice / with patience and curiosity.” First-person narration delivers this invitation in the voice of a child who presents Black. The young narrator first distinguishes between looking at a tree and truly seeing the life it experiences and sustains—“Signs of change and letting go, / flowering and feeding, / shading and sheltering. / A place to call home.” The narrator then directly asks readers what they see in the accompanying, brightly colored illustration of flora and fauna alike in an up-close image of the tree’s branches. The following pages continue in this manner, helping readers “see” both tangible and intangible qualities of the world they inhabit, with illustrations echoing illustrator Karen Katz’s style and expanding on the text to prompt careful examination. While the book is engaging, some may notice a missed opportunity for inclusion of visually impaired people, who, while unable to literally look at the world, can surely perceive a great deal in other ways. (This book was reviewed digitally.)
Much good to see here. (Picture book. 3-8)Pub Date: April 4, 2023
ISBN: 9781419761638
Page Count: 40
Publisher: Abrams
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
A comical, fresh look at crayons and color.
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color. (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
SEEN & HEARD
SEEN & HEARD
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