by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 17, 2019
Practical and empowering for young ones learning how to emotionally attend to themselves and others.
In the latest I Am… series installment by yoga teacher Verde and illustrator Reynolds, a child describes how to share love with those struggling with hard emotions.
A thin, light-brown–skinned kid with blue and pink hair spots another child “going through a storm / of hurt and unfairness, of anger and sadness”—how should they respond? With hands on their heart, the candy-haired protagonist “find[s] the answer: I have compassion… / I am love.” The gentle narrative follows a simple formula in which different ways of attending to others are named along with a simple statement of what love can be: “Love is comfort”; “Love is effort”; “Love is tiny gestures.” Emphasizing Verde’s common themes of mindfulness and emotional presence, the main character demonstrates expressions of love ranging from keeping their own “mind and body safe and healthy” to careful listening to others. Supporting characters in this jewel-toned meditation include a white kid with long blond hair, a black child with a curly purple afropuff, and a tan-skinned youth with short black hair and a colorful taqiyah. To elaborate on the benefits of “opening and expanding” the heart (both literally and emotionally), Verde provides extensive backmatter, including yoga poses and a heart meditation. These addenda enrich the narrative and provide useful context for the relationship skills outlined in the text.
Practical and empowering for young ones learning how to emotionally attend to themselves and others. (Picture book. 5-11)Pub Date: Sept. 17, 2019
ISBN: 978-1-4197-3726-8
Page Count: 32
Publisher: Abrams
Review Posted Online: Oct. 31, 2019
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by Grant Snider ; illustrated by Grant Snider ‧ RELEASE DATE: Sept. 5, 2023
Quietly contemplative and thoroughly lovely.
A child finds adventure and a change of perspective on a dreary day.
Clouds cover everything in a palette of unending gray, creating a sense of ennui and gloom. A child stands alone, head down, feeling as gray as the day, and decides to ride through town on an old bike. Pops of color throughout the grayscale illustrations go unnoticed—there are yellow leaves scattered about, and the parking lot is filled with bright yellow buses, but this child, who has skin the grayish white of the page, sees only the empty playground, creaky swings, a sad merry-go-round, and lonely seesaws. But look—there’s a narrow winding path just beyond the fence, something to explore. There are things to be noticed, leaves to be crunched, and discoveries to be made. Imagination takes over, along with senses of wonderment and calm, as the child watches a large blue bird fly over the area. The ride home is quite different, joyful and filled with color previously ignored, reaffirming the change in the rider’s outlook. The descriptive, spare text filled with imagery and onomatopoeia is well aligned with well-rendered art highlighting all the colors that brighten the not-so-gray day and allowing readers to see what the protagonist struggles to understand, that “anything can happen…on a gray day.” (This book was reviewed digitally.)
Quietly contemplative and thoroughly lovely. (Picture book. 5-9)Pub Date: Sept. 5, 2023
ISBN: 9781797210896
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
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by Chad Morris & Shelly Brown ‧ RELEASE DATE: Oct. 3, 2017
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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