A lively introduction to a somewhat obscure and profoundly innovative musical figure.
Wood and Tonatiuh combine to tell the story of a musician and composer kids have likely never heard of.
At 6, Juan García Esquivel figured out how to disable the paper roll in his family’s player piano, leaving him free to experiment and learn how to play the instrument himself. This spirit of experimentation never left Juan, who went on to become a pioneer in a quirky, innovative style of lounge music popular in the 1950s and ’60s. Esquivel!, as he became known, combined Latin rhythms, jazz, human voices, and unusual instruments in order to create unique musical textures and effects. During his career, Juan became popular in both Mexico and the United States, and he wrote many songs for TV shows and movies. The narrative presents the biographical facts of Juan’s life in an engaging and accessible manner. Young readers who have never before heard of this musician may find their curiosity piqued. However, it is Tonatiuh’s illustrations that truly spark the imagination. Tonatiuh employs his signature style of Mixtec codex–influenced design, combines it with playful tributes to the fashion and style of the 1960s, sprinkles in text blocks of onomatopoeia that seem to vibrate on the page, and fills in the empty areas with a watery mix of purples and blues that perfectly complements the spacey style expressed in the music.
A lively introduction to a somewhat obscure and profoundly innovative musical figure. (author’s note, illustrator’s note, resources) (Picture book/biography. 6-9)Pub Date: Sept. 6, 2016
ISBN: 978-1-58089-673-3
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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