by Susanna Isern ; illustrated by Sonja Wimmer ; translated by Martin Hyams ‧ RELEASE DATE: Oct. 11, 2016
An entertaining story with whimsical illustrations and lots of heart.
Bogo fails in his attempts at zany self-improvement inventions but eventually realizes the power of his innate gifts.
Outlandish, colorful art that begins on the book’s cover will lure children to this clever, unusual tale. The first pages use a warm palette of hot pinks and oranges and a dizzying perspective to show a view from below of the fox’s treehouse. The text notes that this is an unusual home for a fox, but “he was a very curious fox and from up there he could see everything much better.” Clear lettering and frequent but appropriate use of bold print encourages reading aloud. Bogo’s inventions stem from his feeling of inferiority because so many other animals “were so incredible.” As he tries to invent ways to do everything from fly like a bird to swim like a fish, hilarious artwork (check out his armored-tank turtle shell) accompanies a refrain that works well for young readers: “Oh Bogo! You can’t have everything! Who ever heard of a fox that can fly!” (or wear glasses, etc.). After he retreats into isolation, Bogo’s intrinsic fox qualities serendipitously allow him to save the day for several other animals. New insights ensue. Although his epiphany is one many picture-book characters have had before, an applauseworthy difference is the supportiveness of his fellow creatures throughout.
An entertaining story with whimsical illustrations and lots of heart. (Picture book. 4-8)Pub Date: Oct. 11, 2016
ISBN: 978-84-944446-6-1
Page Count: 40
Publisher: NubeOcho
Review Posted Online: Aug. 16, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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by Susanna Isern ; illustrated by Mar Ferrero ; translated by Cecilia Ross
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Kimberly Dean ; illustrated by James Dean
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by Joan Holub ; illustrated by James Dean
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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