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DANIELA THE PIRATE

From the Egalité series

Readers will enjoy spotting a pile of books, a basketball, and a skateboard among Daniela’s personal cargo as they go...

An intrepid redhead à la Pippi Longstocking sails the seven seas tracking down the most feared pirate ship in all the world—the Black Croc.

In this piratical offering from Spain, Daniela is determined to join the Black Croc’s nefarious crew, and nothing the captain demands quells her indomitable spirit. Swim to the bottom of the sea and back again with a giant squid—no problem. One hundred squats while hoisting a treasure-filled chest overhead—bring it on. Jump into a croc-infested pit—piece of cake. Be a pirate—nope! Girls can’t be pirates. Chauvinistic Capt. Choppylobe will not be budged, so his commendably diverse crew takes a vote. Hooray for Capt. Daniela! The Black Croc is still the scourge of the seven seas…and an equal-opportunity outfit to boot. Isern’s salty (but a trifle long) tale reads equally smoothly in both the original Spanish (publishing in the U.S. simultaneously) and English translation, with the exception of the odd-sounding captain’s name. Orejacortada could have been translated as Sliced-ear, Nicked-ear, Chopped-ear, etc. Gómez’s exuberant and colorfully detailed illustrations carry the sagging midpoint forward and reinforce the Pippi Longstocking motif. From Daniela’s superhuman strength to her very own treasure chest, echoes of the Swedish icon haunt the text. But even the grimacing Black Croc’s prow smiles by story’s end despite the buccaneers’ heavy-handed if praiseworthy speech about fairness.

Readers will enjoy spotting a pile of books, a basketball, and a skateboard among Daniela’s personal cargo as they go adventuring with her and her scurvy crew. (Picture book. 4-8)

Pub Date: Sept. 4, 2018

ISBN: 978-84-17123-12-3

Page Count: 44

Publisher: NubeOcho

Review Posted Online: July 23, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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