Empowers children to stop and consider others.
An empathetic Spanish import.
After a long winter, Cricket is excited to venture out and go for a walk in his neighborhood. He first comes across Ladybug, who is frantically looking for a newly washed spot that had been hanging up to dry and has disappeared from the line. Cricket proclaims: “I don’t wear any spots. I don’t think they’re that important,” and leaves without helping. Next, he sees Bee, who has gotten her wing tangled with fishing line. Cricket scoffs: “I hardly ever use my wings. I don’t think they’re that important,” and continues to walk. Spider is desperately trying to finish making silk before he opens his store for business. Cricket huffs: “I never buy balls of silk. I don’t think they’re that important.” Cricket, oblivious to the needs of others, is only concerned with himself. Each friend, in turn, helps another while Cricket strolls back home. But when Cricket’s strings break on his violin and Flea echoes Cricket’s own words: “I don’t play the violin. I don’t think it’s that important,” Cricket realizes his mistake. It would be easy to slide into a predictable, pedantic conclusion, but Isern instead chooses an earnest, heartwarming turn. Rigaudie’s close-up look at this pastel insect world makes lesson-learning all the more inviting. Tiny details delight: not just the insects’ many shoes, but puffs of steam emanating from cups of tea and Ladybug’s tiny clothespins. The Spanish-language original publishes simultaneously. (This book was reviewed digitally with 9.8-by-19.6-inch double-page spreads viewed at 50.8% of actual size.)
Empowers children to stop and consider others. (Picture book. 3-7)Pub Date: Sept. 15, 2020
ISBN: 978-84-17673-37-6
Page Count: 40
Publisher: NubeOcho
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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