by Susanna Isern ; illustrated by Marta Chicote ; translated by Jon Brokenbrow ‧ RELEASE DATE: Sept. 1, 2017
Lovely, lyrical text combines skillfully with dreamlike illustrations to create soothing music—with just one off-key note.
In this picture book translated from the Spanish, a young girl interacts with the music made by the ocean next to her seaside village.
Marina, a young white girl, lives in Lemonsea, a tiny fishing village. When a storm destroys the crops and drives the fish away, everyone but Marina and her white fisherman father, Daniel, leaves to find their living elsewhere. Marina is sad until her father builds a sea organ that is played by the ocean’s tides and currents and the wind. Attracted by the music, whales arrive, and Marina befriends them, even rides them. Eventually the music attracts fish in such abundance that the villagers return, and Lemonsea becomes more prosperous than before. Isern’s lyrical narrative waxes poetic about the sea, whales, and the contentment found in a life close to nature, and Chicote’s illustrations, with their dreamlike quality, enhance the narrative. There’s one off-key note, however, that undermines the harmony-in-nature theme. Chicote includes fanciful characters who have the heads of fish and bodies of humans (they’re not mentioned in the text) interacting in the village alongside regular humans (all white), and readers might wonder who the fish-people are and how they feel about the fishing industry.
Lovely, lyrical text combines skillfully with dreamlike illustrations to create soothing music—with just one off-key note. (Picture book. 4-8)Pub Date: Sept. 1, 2017
ISBN: 978-84-16733-28-6
Page Count: 24
Publisher: Cuento de Luz
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Dan Yaccarino
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Feb. 4, 2025
Another endearing and amusing outing with these winsome characters.
The Crayons love a holiday, and Mother’s Day is no exception.
Every color is different, and so is every mom. Purple’s mother, seated cross-legged in a yoga pose, “doesn’t color inside the lines.” Red’s works tirelessly to support her family, which sometimes means missing holidays. White Crayon adores his mother, “even though he can’t see her” (the accompanying image shows both crayons fading into the white background), while pale lime green Esteban’s mom supports his “dreams of adventure” by helping him pack. All the Crayons celebrate their families on this day, and not all the parents look like their children or are mothers. Laudably, Daywalt and Jeffers depict a variety of different families, allowing many readers to feel seen: Black can’t contain her love for both her mothers, the hair-covered brownish-beige Barfy Crayon embraces his stepmom, Chunky Toddler (a chubby crayon with a bite taken out of him) pays tribute to his dad on Mother’s Day, Yellow and Orange honor their grandmother, and Maroon, presumably adopted, sings the praises of his mom, a pot of glue who literally holds the family together. As in previous Crayon books, Jeffers’ elegantly quirky and humorous illustrations complement Daywalt’s delightful text, which adeptly balances humor and heart.
Another endearing and amusing outing with these winsome characters. (Picture book. 4-8)Pub Date: Feb. 4, 2025
ISBN: 9780593624586
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Oliver Jeffers ; illustrated by Oliver Jeffers
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by Drew Daywalt & illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
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