Readers who are averse to crying in public be warned: You’ll want to sit with this astounding story at home.
A single mother navigates custody of her granddaughter—and tries to correct mistakes she made the first time around—in this gentle but heart-wrenching story.
When London schoolteacher Ruth learns that her daughter, Eleanor, is pregnant, the two are sharing a meager Christmas dinner on a park bench. Eleanor is years into debilitating addiction, living on and off the streets with her baby's father, Ben, but Ruth pushes past Eleanor's resistance to offer help when Lily is born—holding vigil as the newborn goes through withdrawal in the hospital, taking control of the baptism as Eleanor and Ben keep wandering off, regularly stopping by their apartment to make sure they’re eating. When Ruth finds an unresponsive person in Eleanor’s apartment—ostensibly an overdose—she flees with Lily, anticipating a fight for custody that never comes. The years pass swiftly, almost perfunctorily, as Lily grows into a kind, strong-willed, and precocious child, “someone who knows life is a serious business, perhaps a few years before she might,” as Ruth's friend describes her. The pacing matches Ruth’s own matter-of-factness: Her outsize shame leaves little berth for wallowing, and her self-deprecating wit resists maudlin sentimentality. (The greatest source of comic relief comes from Jean Reynolds, Ruth’s co-worker, whose brashness and loyalty make her impossible not to love.) Through intimate first-person narration, Ruth balances the pain of losing a daughter against the hope of a second chance. Her relationship with Lily brings a cautious joy. Ruth can’t look at the girl without seeing the trail of maternal pain that originated with her own mother, who drank disinfectant after Ruth’s father left, and led to Lily’s miraculous birth. Love can go awry—see the double meaning of the title, which Lily discovers on a tombstone: “It kind of sounds like the person tried to be loving but…the aim was wrong”—but can that misdirection be righted? Though Lily isn’t immune from trauma—this is clear when her perspective abruptly takes over in the final third of the book—she is propped up by the strength of Ruth’s devotion.
Readers who are averse to crying in public be warned: You’ll want to sit with this astounding story at home.Pub Date: Sept. 19, 2023
ISBN: 9781681377810
Page Count: 224
Publisher: New York Review Books
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
BOOK REVIEW
BOOK REVIEW
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
