An exquisite book, in content and illustration, about love, movement, and shared humanity: a keeper.
Everyone on Wishbone Street came from somewhere, bringing with them histories, languages, stories, and more.
Maureen, a White girl whose father is from Ireland, lives there. When a new boy moves to her street at the brink of winter, she finds out that they share a love of birds and gifts him a feather. Sami shows Maureen his “treasures,” brought over from Syria to Canada, via a refugee camp. (Readers of Del Rizzo’s 2017 title, My Beautiful Birds, will recognize Sami’s story.) Now friends, the kids have a blast with the first snow of the season, until suddenly they come across a fallen bird. With everyone pitching in, the children, together with adult members of the community, manage to save it. They go further by putting together both shelter and sources of food for the birds during the rough winter. (Step-by-step instructions are included at the end of the book.) Del Rizzo illustrates with elaborate clay modeling combined with other media; the three-dimensional look ignites interest and gives the pictures a special warmth. The story centers care for others and nature as well as focusing on people’s shared humanity. While it does not detail Sami’s refugee experience or the various backgrounds of Wishbone Street’s diverse community, its content provides many possible openings for further learning and discussion. The diverse protagonists are all capable, resourceful individuals who may be sad sometimes but have an immense ability to enjoy life.
An exquisite book, in content and illustration, about love, movement, and shared humanity: a keeper. (Picture book. 5-8)Pub Date: Nov. 23, 2021
ISBN: 978-1-77278-219-6
Page Count: 40
Publisher: Pajama Press
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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