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The Mermaids of Lake Michigan

A lyrical, compelling coming-of-age story with magical elements.

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A water-loving girl struggles to find her place on land in this novel.

Growing up in Grand Haven, Michigan, by the shores of the titular lake, Elise Faulkner is shy and withdrawn, much to the chagrin of her ex–beauty queen mother. Despite the former Miss Coast Guard’s efforts to help Elise make local friends, she prefers to stay home reading or writing to one of her international pen pals, like Fabrice Nwanko, the Ghanian schoolgirl who reveals her uncle’s encounter with a mermaid. Elise is fascinated by mermaids because of her scandalous great-grandmother Margaret Stieg, a wreck diver who claimed her life was saved by one when her oxygen was cut off during an underwater mission to retrieve a sunken diamond ring. Elise’s quiet, dreamy life changes when her mother introduces her to world-traveling, cigarette-smoking Chiara. As the two girls become fast friends, bonding over vintage fashion and playing hooky at the beach, Elise discovers she’s inherited some of Margaret’s daring after all—especially after meeting Miguel Ballesteros, a Roma carnival worker and flamenco guitarist who tells her, “I’m your destiny.” Will their romance lure her away from the lake—and the people—she loves? And will the darkness of Miguel’s future sweep Elise under with it? While Elise remains a fairly passive character throughout the narrative, Kamata (The Beautiful One Has Come, 2015, etc.) pulls off the difficult trick of writing a book that’s thoughtful and slow-paced without overexplaining or making the story plodding. Her writing is clear and confident, with an eye for vivid details—“dormer windows like lidded eyes” or “one round little pea...like a jewel.” She unfortunately uses the term “Gypsy” in place of “Roma” more than once, and Miguel’s air of mystery may read as stereotypical. But readers carried along by Elise’s tale will find themselves wanting more.

A lyrical, compelling coming-of-age story with magical elements.

Pub Date: Feb. 14, 2017

ISBN: 978-1-942545-59-0

Page Count: 176

Publisher: Wyatt-MacKenzie Publishing

Review Posted Online: Sept. 28, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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