A lyrical, compelling coming-of-age story with magical elements.
A water-loving girl struggles to find her place on land in this novel.
Growing up in Grand Haven, Michigan, by the shores of the titular lake, Elise Faulkner is shy and withdrawn, much to the chagrin of her ex–beauty queen mother. Despite the former Miss Coast Guard’s efforts to help Elise make local friends, she prefers to stay home reading or writing to one of her international pen pals, like Fabrice Nwanko, the Ghanian schoolgirl who reveals her uncle’s encounter with a mermaid. Elise is fascinated by mermaids because of her scandalous great-grandmother Margaret Stieg, a wreck diver who claimed her life was saved by one when her oxygen was cut off during an underwater mission to retrieve a sunken diamond ring. Elise’s quiet, dreamy life changes when her mother introduces her to world-traveling, cigarette-smoking Chiara. As the two girls become fast friends, bonding over vintage fashion and playing hooky at the beach, Elise discovers she’s inherited some of Margaret’s daring after all—especially after meeting Miguel Ballesteros, a Roma carnival worker and flamenco guitarist who tells her, “I’m your destiny.” Will their romance lure her away from the lake—and the people—she loves? And will the darkness of Miguel’s future sweep Elise under with it? While Elise remains a fairly passive character throughout the narrative, Kamata (The Beautiful One Has Come, 2015, etc.) pulls off the difficult trick of writing a book that’s thoughtful and slow-paced without overexplaining or making the story plodding. Her writing is clear and confident, with an eye for vivid details—“dormer windows like lidded eyes” or “one round little pea...like a jewel.” She unfortunately uses the term “Gypsy” in place of “Roma” more than once, and Miguel’s air of mystery may read as stereotypical. But readers carried along by Elise’s tale will find themselves wanting more.
A lyrical, compelling coming-of-age story with magical elements.Pub Date: Feb. 14, 2017
ISBN: 978-1-942545-59-0
Page Count: 176
Publisher: Wyatt-MacKenzie Publishing
Review Posted Online: Sept. 28, 2016
Kirkus Reviews Issue: Nov. 1, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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