An uneven but often affecting tale of an American woman and her Japanese family.
In Kamata’s novel, three characters navigate love, baseball, and the cultural space between the United States and Japan.
Christine, an American,came to Japan in 1988 hoping to improve people’s lives by teaching them English. After a discouraging time volunteering in a refugee camp in Thailand, she returned to Japan to marry her boyfriend, Hideki Yamada. Now they live in Tokushima Prefecture with their two children, 5-year-old Koji and 6-year-old Emma, the latter of whom suffers from multiple disabilities. Hideki works as a high school baseball coach, while Christine raises the kids at home. She’s a “baseball widow,” rarely seeing her spouse, who’s consumed by his desire to bring his team to the national championship. Christine is so overwhelmed and lonely that she jumps at the chance to take her kids to the States for a few months—and it’s possible that she won’t come back. Meanwhile, teenage power hitter Daisuke Uchida, born in Japan but raised in Atlanta, may be just what Hideki needs to make his team a contender. Daisuke’s acclimation to Japanese society isn’t the smoothest, but his budding relationship with fellow student Nana Takai gives him a very good reason to stick around. Kamata’s prose is direct and elegant, as when Christine and Emma run into Daisuke’s mother at a video store: “She wondered if the mothers of Hideki’s players knew that Coach Yamada had a disabled child. If not, they’d probably know by tomorrow. Word traveled fast.” The Christine-centered sections are particularly engrossing, as they explore the everyday life of an immigrant in Japan with a Japanese family and the experience of raising a disabled child with little help from an absent spouse. The sections that focus on Hideki are less dynamic, although their depiction of the world of Japanese baseball will be fun for those who are unfamiliar. Daisuke’s storyline feels less relevant to Kamata’s work, and the novel as a whole doesn’t quite cohere into a balanced narrative. As a slice-of-life story, however, it has much to offer.
An uneven but often affecting tale of an American woman and her Japanese family.Pub Date: Oct. 5, 2021
ISBN: 978-1-95-433207-2
Page Count: 274
Publisher: Wyatt-MacKenzie Publishing
Review Posted Online: July 27, 2021
Review Program: Kirkus Indie
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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