A new generation will understand why we will always love this iconic singer/songwriter.
A title brimming with love for a favorite country music star.
Given Dolly Parton’s philanthropic efforts with Imagination Library, it’s especially fitting to see her profiled by a writer and an illustrator who have ample experience creating picture-book biographies for young readers. Slade’s text includes quotes from Parton and adopts a down-home voice for the narration as she returns to Dolly’s Tennessee roots to tell her rags-to-riches coming-of-age story. Throughout, Fotheringham’s digital illustrations ground the text with a realistic style that never caricatures the singer, who has frequently been subjected to mockery over her appearance. While the book focuses mainly on Parton’s youth and the very beginnings of her career with her early radio performances and an appearance at the Grand Ole Opry at 13, backmatter gives more detail about her successes and discusses how Parton has used her fame and fortune to help others. Fotheringham incorporates symbols and motifs (butterflies and red shoes, for example) that are important to Parton’s career or figure prominently in her lyrics, which will delight those familiar with her catalog. Background characters are racially diverse. (This book was reviewed digitally.)
A new generation will understand why we will always love this iconic singer/songwriter. (Picture book. 3-7)Pub Date: Sept. 20, 2022
ISBN: 978-1-63592-841-9
Page Count: 40
Publisher: Calkins Creek/Astra Books for Young Readers
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A heartwarming testament to music’s emotional power.
Music moves a nonverbal child to speak.
The narrator explains that Ronan was “born quiet. Some days he hardly says a word.” Today, when Father and Mother suggest outings to the beach or park, he’s quiet. But he looks up when Grandfather bursts in and proposes attending a concert. With refreshing optimism, Grandfather proclaims it “an adventure,” though Ronan’s parents worry about the “challenge” and “risk” of taking him to a performance. And when Ronan, his dog, and Grandfather reach Symphony Hall, an adventure it is. When the music starts, Ronan is swept away in a whirl of notes. Collectively, the instruments sound like “a sky full of stars,” sending him and his cheerful pup into a space-themed reverie. Boss notes that “the darker instruments sound cool and frightening” and the lighter ones sound “warm and friendly” but does not name the instruments, a missed opportunity to deepen readers’ understanding of the music enthralling Ronan. Audience and orchestra members alike are moved to laughter and applause when the music stops, and an awed Ronan utters his first “WOW!” Kheiriyeh’s endearing, pastel-hued cartoon illustrations convey Ronan’s astonishment and joy. Though an author’s note explains that the story is based on an actual nonverbal child’s experience of a Mozart piece in 2019, details such as Mother’s pearls and housedress and Grandfather’s finned car evoke a bucolic 1950s setting. Ronan and his family present white; background characters are racially diverse.
A heartwarming testament to music’s emotional power. (Picture book. 4-6)Pub Date: April 2, 2024
ISBN: 9781534499713
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous...
A first introduction to the iconic civil rights activist.
“She was very little and very brave, and she always tried to do what was right.” Without many names or any dates, Kaiser traces Parks’ life and career from childhood to later fights for “fair schools, jobs, and houses for black people” as well as “voting rights, women’s rights and the rights of people in prison.” Though her refusal to change seats and the ensuing bus boycott are misleadingly presented as spontaneous acts of protest, young readers will come away with a clear picture of her worth as a role model. Though recognizable thanks to the large wire-rimmed glasses Parks sports from the outset as she marches confidently through Antelo’s stylized illustrations, she looks childlike throughout (as characteristic of this series), and her skin is unrealistically darkened to match the most common shade visible on other African-American figures. In her co-published Emmeline Pankhurst (illustrated by Ana Sanfelippo), Kaiser likewise simplistically implies that Great Britain led the way in granting universal women’s suffrage but highlights her subject’s courageous quest for justice, and Isabel Sánchez Vegara caps her profile of Audrey Hepburn (illustrated by Amaia Arrazola) with the moot but laudable claim that “helping people across the globe” (all of whom in the pictures are dark-skinned children) made Hepburn “happier than acting or dancing ever had.” All three titles end with photographs and timelines over more-detailed recaps plus at least one lead to further information.
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous flights of hyperbole. (Picture book/biography. 5-7)Pub Date: Sept. 7, 2017
ISBN: 978-1-78603-018-4
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
BOOK REVIEW
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