Poet Gwendolyn Brooks’ life is chronicled for young readers.
Growing up with a love for poetry that’s fed by her father’s recitations and her mother’s affirmations (“You are going to be the lady Paul Laurence Dunbar”), young Gwendolyn begins writing as early as 7. Poetry is everything to Gwendolyn, feeding her emotionally during the Great Depression and beyond. She writes by candlelight when the electricity is out and submits poems to publishers all over the country. Eventually they are published, but they don’t earn much—and then one day a phone call delivers joyous news: She is the first black writer to win the Pulitzer Prize! Slade’s uneven rhythms emulate Brooks’ but at times detract from a sense of textual cohesion; a superfluous explanation of the usage of “Black” in the author’s note feels awkward, as if seeking validation. On the other hand, Cabrera’s acrylic paint illustrations perfectly exemplify the title. Attention to detail, like the pink sponge roller in little Gwendolyn’s hair for a delightfully bumped bang and the dreamy bright pinks and blues of early spreads, with clocks and printed pages lining Gwendolyn’s imagination, adds a tangible depth to this story of her triumphs and challenges. Additional backmatter, including Brooks’ poem “Clouds,” a timeline, sources, and select bibliography, provides context and grounding for the airy book.
A joyfully illustrated celebration of Brooks’ good and important work.
(Picture book/biography. 7-11)