Don't look to these unauthorized ``confessions'' by three sisters and former Dallas Cowboy cheerleaders for a history or exposÇ of the famed cheerleading corps. It tells almost nothing about the organization but is, instead, a shallow, sticky paean to overweening glamour and materialism. Suzette made the 36-woman squad in 1978, followed a year later by Stephanie (who, despite the triumvirate byline, narrates the ``story''). Both were retired by 1982. Third sister Sheri caught on as an alternate in 1985 but quit before the end of the season. Their mother, who dominates the first half of the book, was in hot pursuit of ``every little girl's dream,'' strictly coordinating her daughters' ``look,'' dating, and behavior: They were never to wear jeans or speak loudly. (``A low-class gutter sow'' is loud; a ``real lady...is as quiet...as a rose.'') Stephanie's most traumatic experience as a Dallas Cowboys Cheerleader was, as she tells it, hearing of director Suzanne Mitchell's displeasure with her hairdo: ``I was very confused...I would look in the mirror for hours and cry. I hated myself.'' The payoff for ``the Rockettes of football'' certainly wasn't the $15 per game or even the personal appearances, TV movies, and game shows—for which the girls most often were not paid; it was, instead, a privilege just to wear the blue hot pants and bask in the Texas spotlight, to be treated ``like a geisha'' and end up ``being supported by rich men.'' Gushing descriptions of ``wholesome'' sexuality, coyote fur coats, and snakeskin boots; facile emotional crises and Fantasy Island pink/sunset romances with handsome oilmen; plus a lack of substantive information about the subject—all make for a relentlessly vacuous exercise. (Sixteen pages of photographs—not seen.)
Pub Date: Sept. 27, 1991
ISBN: 0-312-06334-2
Page Count: 256
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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