A rawly moving debut filled with insights into the legal system and its shortcomings.
A London lawyer’s faith in the legal system is tested after she’s sexually assaulted.
As a criminal defense attorney, Tessa Ensler is often called upon to argue on behalf of people accused of rape. Possessed of an acute knowledge of the law and a brilliant mind (and, as she comes to realize, the default upper hand), Tessa routinely wins acquittals for her clients. She never resorts to dirty tactics such as suggesting the alleged victims “asked for it” by wearing revealing clothes; she simply teases out inconsistencies, contradictions, and other flaws in their accounts, enough to plant a seed of doubt in the jurors’ minds. Her role, as she sees it, is to tell the best version of a defendant’s story; the prosecutor is tasked with doing the same for the plaintiff. Then, it’s up to the judge to decide which narrative is more plausible. To Tessa, the law, for all its imperfections, is truly a force for justice. If one of the clients she’s successfully defended is indeed found guilty, well, the fault lies with the prosecutor for dropping the ball. Based on Miller’s play of the same name, this novel considers the chasm between what Tessa terms “the legal truth” and the actual truth. Can a system built by and for wealthy white men really do right by anyone who doesn’t fit that mold? Tessa’s answer changes after an ill-fated date with a fellow barrister. Back at her apartment, in a violent encounter rendered in horrifyingly vivid detail (that’s a compliment to Miller, not a critique), he forces himself on her, ignoring her protestations and pinning her down. More than two years later, the resulting trial begins—a chance for Tessa to not only have her day in court, but also to assess the effectiveness of the institution she upholds. While the opening chapters can drag (since we know where the plot is headed), the pivotal scene hits like a ton of bricks, evoking in full the physical and emotional horror of sexual assault and its lasting effects on the victim.
A rawly moving debut filled with insights into the legal system and its shortcomings.Pub Date: Jan. 30, 2024
ISBN: 9781250292209
Page Count: 288
Publisher: Henry Holt
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
SEEN & HEARD
High art meets low life in a tale a lot more sympathetic to the latter.
Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.
In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.
High art meets low life in a tale a lot more sympathetic to the latter.Pub Date: Sept. 2, 2025
ISBN: 9781250370822
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
