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MASHA AND HER SISTERS

Along with a set of nesting dolls, this sweet book would be a wonderful gift for a special child.

This die-cut board book inspired by the Russian matryoshka has doll-shaped cardboard pages, with each page turning downward to present the next, slightly larger “nesting” sibling.

The five sisters have similar faces, each with a sweet smile and a shawl on her head, and each one has distinctly colored hair, eyes, and body, though all are white. The single sentence of text set on each sister names her and her hobby or personality—“Larissa is the performer”; “Masha is the collector”—and retro-styled illustrations on the fronts and backs of their bodies echo their passions. Olya the chef is depicted with pots, pans, spoons, measuring cups, and whisks, while nature-loving Galya is depicted with various fauna and flora. Young children will be delighted to discover that the pages don’t turn the traditional way, but the illustrations at the back of each sister show upside down, which could be difficult for younger kids. Although the cardboard pages are sturdy and they are held together with reinforced binding tape, whether this book as a whole is tough enough for repeated use is not clear, but it is of obvious interest to those with Russian heritage.

Along with a set of nesting dolls, this sweet book would be a wonderful gift for a special child. (Novelty board book. 1-3)

Pub Date: March 7, 2017

ISBN: 978-1-4521-5159-5

Page Count: 10

Publisher: Chronicle Books

Review Posted Online: May 23, 2017

Kirkus Reviews Issue: July 1, 2017

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BUNNY ROO, I LOVE YOU

A lovely package, this quiet title will be best as a gift book for new moms eager to read aloud to the newest members of...

A mother’s observations of her new baby lead to a series of sweet comparisons to various animals.

“When I met you, you were small and trembling, and I thought you might be a little bunny. / I held you close so you were warm.” Teen author Marr (Made for You, 2014, etc.) uses playful yet comforting language in her picture-book debut. The baby’s squirming kicks remind her of a “lost kangaroo”; a lifting of the child’s head makes her think of a “curious lizard”; and the little one’s howl seems like that of a “lonely wolf.” Each of the child’s behaviors leads to a tender action taken by the mother: tucking the baby in, offering milk, and giving a bath. Each time a new creature is introduced, White gently changes the dominant color in the muted pastel palette of her watercolor and gouache illustrations. That hue is also reflected in the hand-lettered text, giving the overall design of the book a vintage feel. When the baby smiles, the mother knows “You are not a bunny-roo-lizard-wolf-kitten-piggy. You are my baby.” The final page shows the curled-up infant asleep in a pile of blankets.

A lovely package, this quiet title will be best as a gift book for new moms eager to read aloud to the newest members of their families. (Picture book. 1-3)

Pub Date: April 14, 2015

ISBN: 978-0-399-16742-3

Page Count: 32

Publisher: Nancy Paulsen Books

Review Posted Online: March 16, 2015

Kirkus Reviews Issue: April 1, 2015

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YOU ARE MY HAPPY

Guess how much you’ll be reading this.

Parent and child share a day of small adventures and cozy snuggles.

That the two happen to be tortoises is totally beside the point. Die-cut holes and shaped edges turn nearly every page flip into a surprise. Following a parental “Good morning, Baby” to greet the youngling’s “Wake up, wake up, I want to play… / The sun is up, it’s a brand new day!” the two reptiles ramble off to munch on leaves, weather a sudden rain shower, discover a flock of butterflies, climb a hill, watch the moon rise, and, at last, weary little one perched on top, settle down to snooze again. The paper engineering is ingenious. Turning a seemingly arbitrarily shaped page with a special window framing a pink butterfly fills the spread with many jewel-toned insects; even though the tortoises never change position, the scene is completely transformed. Hegarty’s rhymed narrative features lots of tender sentiments—“Wherever you are, wherever you go, / Baby, I’ll always love you so”—while steering clear of any gender references. In Elliott’s peaceful, grassy settings the wanderers’ small smiles and shared glances likewise create a sense of loving intimacy. This is likely to become a victim of its own appeal, being as the paper stock is rather too flimsy to survive much contact with toddler hands. Still, a clear winner for sharing with audiences of one or dozens.

Guess how much you’ll be reading this. (Novelty. 18 mos.-3)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-3509-7

Page Count: 32

Publisher: Sourcebooks Wonderland

Review Posted Online: Sept. 23, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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