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PLAYING FOR THE COMMANDANT

With fewer living Holocaust survivors each year, it’s increasingly important to tell their story, and this is one, however...

A Jewish girl sent to Auschwitz-Birkenau lives because of the whims of a sadistic camp commandant.

Even in the squalor of the 1944 Hungarian ghetto, Hanna Mendel has hope for her promised place at the Budapest Conservatorium of Music, until the Nazis order the ghetto’s Jews onto cattle cars. As her journey progresses, Hanna systematically loses everything: her home and piano, cleanliness, preciously hoarded sheet music, her father at the gates of Auschwitz-Birkenau, and her clothes and hair—even her name—as she’s processed into the camp. Chance leads Hanna to a terrible hope, for the camp’s commandant seeks a pianist. Like all the commandant’s personal slaves, her life is only minimally improved. Though she doesn’t work at hard labor, she starves just as harshly as any prisoner. The commandant’s sulky son, who helps sneak tiny scraps of food into the camp, appeals to Hanna much more than the diseased, wretched Jewish boys. Except for the infelicitously handled romance, Hanna’s story is reminiscent of such classics as Aranka Siegal’s Upon the Head of the Goat (1981). If anything, Hanna’s tale isn’t brutal enough—her starvation has few physical implications, for instance, and she’s blithely ignorant until war’s end of what’s burned in the camp ovens or the fate of Dr. Mengele’s twins.

With fewer living Holocaust survivors each year, it’s increasingly important to tell their story, and this is one, however soft-pedaled . (Historical fiction. 11-15)

Pub Date: Oct. 14, 2014

ISBN: 978-0-7636-6403-9

Page Count: 256

Publisher: Candlewick

Review Posted Online: Aug. 5, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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THE GIRL OF FIRE AND THORNS

From the Girl of Fire and Thorns series , Vol. 1

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...

Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.

Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)

Pub Date: Sept. 1, 2011

ISBN: 978-0-06-202648-4

Page Count: 432

Publisher: Greenwillow Books

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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