An intriguing integration of The Nutcracker’s magic into a new setting and a welcome addition to the shelf of...
The plot structure of The Nutcracker ballet’s first act is used as the inspiration for this Jazz Age–era story about a shy girl in Harlem.
Marie loves Christmas, but she is rather overwhelmed at her family’s large Christmas party with singing, dancing, and piano music provided by her uncle Cab. Marie is encouraged to sing at the party, but she has no confidence in her musical abilities. She falls asleep under the Christmas tree with her gift, a nutcracker drummer boy, a present from Uncle Cab. A dream sequence begins, incorporating elements from the ballet, with dancers, soldiers, the transformed Nutcracker, and an army of uniformed mice. A dramatic battle ensues between the soldiers and the mice, and Marie halts the fighting by playing the Nutcracker’s drum and scaring the mice away. She dances with the Nutcracker, transformed into a handsome young black man, and then finds the confidence to sing. Marie’s dream ends on Christmas morning, and one of her gifts is her own blue drum, matching the drum she used in her dream. Radiant watercolor illustrations use a palette of glowing jewel tones, especially deep blues and brilliant fuchsia for Marie’s flowing dress. All the characters are African-American, with the women in Marie’s family wearing coats and hats of the period. An author’s note provides information about the Harlem Renaissance and the inspiration for the story.
An intriguing integration of The Nutcracker’s magic into a new setting and a welcome addition to the shelf of Nutcracker-themed picture books. (Picture book. 4-8)Pub Date: Sept. 19, 2017
ISBN: 978-0-06-117598-5
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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