by T.E. McMorrow ; illustrated by James E. Ransome ‧ RELEASE DATE: Sept. 19, 2017
An intriguing integration of The Nutcracker’s magic into a new setting and a welcome addition to the shelf of...
The plot structure of The Nutcracker ballet’s first act is used as the inspiration for this Jazz Age–era story about a shy girl in Harlem.
Marie loves Christmas, but she is rather overwhelmed at her family’s large Christmas party with singing, dancing, and piano music provided by her uncle Cab. Marie is encouraged to sing at the party, but she has no confidence in her musical abilities. She falls asleep under the Christmas tree with her gift, a nutcracker drummer boy, a present from Uncle Cab. A dream sequence begins, incorporating elements from the ballet, with dancers, soldiers, the transformed Nutcracker, and an army of uniformed mice. A dramatic battle ensues between the soldiers and the mice, and Marie halts the fighting by playing the Nutcracker’s drum and scaring the mice away. She dances with the Nutcracker, transformed into a handsome young black man, and then finds the confidence to sing. Marie’s dream ends on Christmas morning, and one of her gifts is her own blue drum, matching the drum she used in her dream. Radiant watercolor illustrations use a palette of glowing jewel tones, especially deep blues and brilliant fuchsia for Marie’s flowing dress. All the characters are African-American, with the women in Marie’s family wearing coats and hats of the period. An author’s note provides information about the Harlem Renaissance and the inspiration for the story.
An intriguing integration of The Nutcracker’s magic into a new setting and a welcome addition to the shelf of Nutcracker-themed picture books. (Picture book. 4-8)Pub Date: Sept. 19, 2017
ISBN: 978-0-06-117598-5
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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