An auspiciously quirky and inclusive fantasy.
Three unlikely heroes must escape a creepy subterranean city.
Homeless and orphaned, Dig is often hungry. Searching for unattended food in a busy market one day, he is captured by a strange-looking, red-cloaked lizard creature. He finds himself in a dungeon and there meets statuesque Iana and her girlfriend, Crina. The scarlet-clad reptilian dungeon keepers are members of a mysterious blood cult, intent on sacrificing the trio in hopes of resurrecting an evil monster. Dig, Iana, and Crina must navigate their dangerous underground surroundings and try to make a break for the titular tower, through which they believe they can reach the surface. Howard’s graphic novel is a fun stand-alone that would certainly lend itself to further adventures. His art is big and bright, with an aesthetic quality reminiscent of the cartoon Steven Universe. Many of his action sequences are fast-paced and full of giggleworthy gross-outs sure to keep pages flying. The worldbuilding is accessible and inventive, but it is the attention to character detail that sets this apart; Howard’s characters, both main and secondary, are all differently conceptualized: Some are animals, some are human, some are monsters, but most are diverse in skin color, height, and build. Main characters Iana and Crina’s relationship is at the forefront. Dig has ivory skin, Iana has peach skin, and Crina has pink skin.
An auspiciously quirky and inclusive fantasy. (Graphic fantasy. 8-12)Pub Date: March 10, 2020
ISBN: 978-1-62010-687-7
Page Count: 136
Publisher: Oni Press
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
An emotional, much-needed historical graphic novel.
Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.
Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.
An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)Pub Date: Oct. 5, 2021
ISBN: 978-1-5253-0334-0
Page Count: 112
Publisher: Kids Can
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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