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FEARLESS MARY

THE TRUE ADVENTURES OF MARY FIELDS, AMERICAN STAGECOACH DRIVER

A wild ride through an impressive bit of history.

Mary Fields, a woman and former slave, breaks barriers working as a stagecoach driver in 1895.

Telegraphs and trains bring supplies and messages to Cascade, Montana, but to get through the mountains to St. Peter’s Mission requires a stagecoach. The stagecoach driver also acts as guard against outlaws and wild animals; one needs to be “smart, tough, unshakable.…Mary Fields is all of those things.” Of course, no one believes that a woman, much less a former slave, can do this job. But Mary is determined to show the hiring manager that she can outperform any of the male candidates. She shows off her skills, and she gets the job, the first black woman in the country to do so. With her map- and star-reading skills, her trained eagle, her long gun, her courage, and her determination, Mary rides for eight years, into her 70s. Her bravery is remembered in Cascade, and now young readers can be inspired by it too. Charles does a fine job of shaping a suspenseful story from few historical details, inventing some dialogue and rearranging the timeline a bit, as she describes in her author’s note. From the moment Mary rides into town, readers will be hooked. The illustrations, in hues of brown, green, and blue, successfully evoke the small, Western town and the mountains; the humans and animals have faces that display an animation aesthetic.

A wild ride through an impressive bit of history. (Picture book. 4-9)

Pub Date: Jan. 1, 2019

ISBN: 978-0-8075-2305-6

Page Count: 32

Publisher: Whitman

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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I AM RUBY BRIDGES

A unique angle on a watershed moment in the civil rights era.

The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.

Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)

A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)

Pub Date: Sept. 6, 2022

ISBN: 978-1-338-75388-2

Page Count: 48

Publisher: Orchard/Scholastic

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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FRIDA KAHLO AND HER ANIMALITOS

A supplemental rather than introductory book on the great artist.

Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.

Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.

A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)

Pub Date: Sept. 5, 2017

ISBN: 978-0-7358-4269-4

Page Count: 40

Publisher: NorthSouth

Review Posted Online: June 18, 2017

Kirkus Reviews Issue: July 1, 2017

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