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WE ARE HERE

A powerful narrative about Black yesterdays that have built the foundation for all our tomorrows.

The creators of All Because You Matter (2020) collaborate once more, assuring children of the Black diaspora of their rich cultural heritage.

Charles’ moving free-verse text, addressed to a brown-skinned child wearing a colorful headband, their hair in two puffballs, argues that though so many contributions of Black people have gone unacknowledged, “we have always been heroes.” When it is “your turn / to rule the world, / people will be amazed / and they will question / the power of you.” But, Charles stresses, they should neither marvel nor doubt, because Black people have always been here and have always been amazing. In an illustrator’s note, Collier mentions that the row houses throughout echo those that Georgia artist John Biggers painted of his childhood home. Row houses grace the endpapers and serve as the backdrop for many scenes showcasing Black people’s contributions to music, activism, fashion, politics, food, astronomy, and more, not just throughout American history, but world history as well. Many of the people Collier illustrates are recognizably famous, like Martin Luther King Jr., after whom more than 1,000 streets have been named, and others ought to be, like Chicago blues musician Howlin’ Wolf. Collier’s signature painterly collage and watercolor images abound in color, texture, and patterning that beautifully reflect Black diversity. (This book was reviewed digitally.)

A powerful narrative about Black yesterdays that have built the foundation for all our tomorrows. (biographical notes, glossary, author’s notes) (Picture book. 3-8)

Pub Date: Jan. 3, 2023

ISBN: 978-1-338-75204-5

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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