A valuable story of family, community, new beginnings, and perseverance.
After his family is forced to flee Nigeria and adjust to the United States while living in a homeless shelter, Tani wins a chess championship.
Tani lived “in a home that felt as secure as a castle, in a fine neighborhood in Nigeria.” But one day, his father, who owns a print shop, sneaks away from members of the terrorist group Boko Haram after they ask him to make posters, and the whole family, now in danger, must flee. They move to a home six hours away, but Boko Haram members find them. They must leave Nigeria quickly. They land in New York City and move into a homeless shelter, where Tani and his brother must sleep on a separate floor from their parents. At school, Tani joins the chess club and practices with his brother in their room at the shelter. In his first tournament, he scores the lowest of all players, but he studies and practices and keeps competing, and a year later, he wins the New York State championship. Headlines bring his story to readers around the world, who respond with encouragement and large donations to his family. Tani’s story is narrated in a lovely childlike voice that retains the wonder of learning new things. The turn of events that can cause happy families to need asylum will enlighten young readers and open minds. The generous view of the United States feels optimistic but genuine. (This book was reviewed digitally with 8.8-by-21-inch double-page spreads viewed at 65.1% of actual size.)
A valuable story of family, community, new beginnings, and perseverance. (afterword) (Picture book/biography. 4-9)Pub Date: Nov. 24, 2020
ISBN: 978-1-4002-1828-8
Page Count: 32
Publisher: Thomas Nelson
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Sept. 1, 2020
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
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