Appropriately provocative.
When her school’s state-of-the-art security system becomes a vehicle for cyberbullying, a fan of the activist artist launches a rebellion.
Dominica, 13, is an aspiring artist from a white, affluent Vancouver, British Columbia, family. Her widowed mother runs a catering business; her grandmother, an art gallery owner, pays the hefty tuition for Dom’s private school, where cameras were recently installed throughout, an initiative to keep students safe (the school’s Latin motto translates as “security breeds success”). After the security system’s hacked, embarrassing, edited videos of individuals, including Dom, are posted to the school’s student forum. She’s forbidden a social media account, but that doesn’t prevent Dom’s exposure on others’ social media feeds. PixSnappy alerts her when she’s tagged: “see what your friends are up to.” The school eliminates its student forum; the cameras remain. Dom mounts secret, Banksy-inspired critiques of the surveillance, illustrating how privacy erosion facilitates cyberbullying. Meanwhile, her friends help her seek the culprit. If some adult characters’ motives seem far-fetched, the students’ powerful, emotional reactions to the amplified victimization are entirely credible. The mystery of who’s behind the hacking (and their motives) holds readers’ interest. When solved, questions linger: What should happen to impulsive words and acts recorded, altered, and immortalized on social media? How much privacy are we willing to surrender for the promise of safety and security? Kyi’s nonfiction exploration of high-tech spying, Eyes and Spies (2017), makes a natural companion.
Appropriately provocative. (author’s note) (Fiction. 10-14)Pub Date: Jan. 7, 2020
ISBN: 978-0-7352-6691-9
Page Count: 224
Publisher: Puffin/Penguin Random House Canada
Review Posted Online: Oct. 22, 2019
Kirkus Reviews Issue: Nov. 15, 2019
A beautiful conservation story told in a rich setting and peopled with memorable characters.
Unlike the rest of her nature-obsessed family, Louisa wants to be a musician, not a biologist.
But when Louisa’s mother finds out that the Australian government is about to destroy the Tasmanian rainforest camp their family has managed for decades, she insists that Louisa leave Toronto and spend the summer on the strange, small island with her even stranger uncle Ruff. But when Uncle Ruff gives Louisa a copy of her great-grandmother’s journal, Louisa becomes fascinated with her family’s history of secretly protecting endangered species, including the mysterious Tasmanian tiger, widely regarded as extinct. With the help of her new friend and neighbor Colin—a boy who has autism spectrum disorder—Louisa deepens her connection with her family’s land, with history, and with her love of music. Kadarusman masterfully creates a lush, magical world where issues associated with conservation, neurodiversity, and history intersect in surprising and authentic ways. The book’s small cast of characters (principals seem all White) is well drawn and endearing. Crucially, the author acknowledges the original, Indigenous inhabitants of the land as experts, something rarely seen in books about environmental degradation. Louisa’s narratorial voice strikes the right balance of curiosity, timidity, and growing confidence, and her character’s transformation feels both incredibly natural and incredibly rewarding to behold.
A beautiful conservation story told in a rich setting and peopled with memorable characters. (Fiction. 10-14)Pub Date: April 28, 2020
ISBN: 978-1-77278-054-3
Page Count: 192
Publisher: Pajama Press
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
PERSPECTIVES
Middle school worries and social issues skillfully woven into a moving, hopeful, STEM-related tale.
Following the precise coordinates of geocaching doesn’t yield the treasure Kirby Zagonski Jr. seeks: his missing father.
Geeky eighth-grader Kirby can’t understand why his mother won’t call his dad after their generous landlady dies and they’re evicted for nonpayment of rent. Though his parents have been divorced for several years and his father, a wealthy developer, has been unreliable, Kirby is sure he could help. Instead he and his mother move to the Community Hospitality Center, a place “for the poor. The unfortunate. The homeless.” Suddenly A-student Kirby doesn’t have a quiet place to do his schoolwork or even a working pencil. They share a “family room” with a mother and young son fleeing abuse. Trying to hide this from his best friends, Gianna and Ruby, is a struggle, especially as they spend after-school hours together. The girls help him look for the geocaches visited by “Senior Searcher,” a geocacher Kirby is sure is his father. There are ordinary eighth-grade complications in this contemporary friendship tale, too; Gianna just might be a girlfriend, and there’s a dance coming up. Kirby’s first-person voice is authentic, his friends believable, and the adults both sometimes helpful and sometimes unthinkingly cruel. The setting is the largely white state of Vermont, but the circumstances could be anywhere.
Middle school worries and social issues skillfully woven into a moving, hopeful, STEM-related tale. (Fiction. 10-14)Pub Date: Sept. 12, 2017
ISBN: 978-1-68119-548-3
Page Count: 256
Publisher: Bloomsbury
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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