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TAKE ME WITH YOU

An engrossing and topical techno-thriller.

Four teenagers find a mysterious device that tells them what to do in this timely science fiction thriller.

When Eden Montgomery, Eli Alvarez, Marwan Gamal, and Ilanka Sokolova are summoned to an empty classroom after school one day and find a shiny black cube waiting for them, they have no idea they are about to embark on a dangerous journey of self-discovery. The cube—named Aizel—gives them a number of rules that must be followed, including: “DO NOT TELL ANYONE ABOUT THE DEVICE. DO NOT LEAVE THE DEVICE UNATTENDED…TAKE ME WITH YOU...OR ELSE.” What does Aizel want? Where did it come from? And why did it choose the four of them in particular? As time passes, Aizel’s orders become increasingly terrifying and invasive, and the group has to decide what to do before it is too late. Chapters alternate among all four characters, and each teenager is well developed and richly portrayed in a high-energy story that allows for character growth against a backdrop that looks at digital technology, social media, and the dangers of data mining as well as issues of online privacy and artificial intelligence. There is also an important and skillfully executed subplot about growing white nationalism and anti-immigration sentiment in the U.S. Eden is coded as white and Eli as Latinx; Ilanka and Marwan (who identifies as culturally Muslim) have immigrant parents from Russia and Egypt, respectively.

An engrossing and topical techno-thriller. (Science fiction. 14-adult)

Pub Date: June 23, 2020

ISBN: 978-1-68119-748-7

Page Count: 384

Publisher: Bloomsbury

Review Posted Online: March 10, 2020

Kirkus Reviews Issue: April 1, 2020

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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