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THE LEAVING

A twisting and turning mystery that will grip readers even if it is at times a bit difficult to follow

Five teens who were part of a group of six that vanished as kindergartners reappear as mysteriously as they went missing in this thriller.

Scarlett, Lucas, Sarah, Adam, and Kristen are dropped off in a park, each with a map to their respective homes tucked into their pockets. None of them has any memory of how they got there, who was driving the van that dropped them off, nor where they've been for the past 11 years. The agony experienced by their families has taken its toll, and the homes they return to are troubled places. This is only further complicated by the fact that Max, the sixth boy who disappeared with them, has not returned, and none of them has any memory of who he is. This multilayered story is told from the perspectives of Scarlett, Lucas, and Max's younger sister, Avery, all of whom come from white families, though of varying economic backgrounds. Their voices are distinct from one another, with Scarlett's narrative employing the most unconventional structure: sentences curve into various shapes on the page, and typed slashes evocatively illustrate how her mind reels. The eventual reveal is intricate and a long time coming, but it will satisfy.

A twisting and turning mystery that will grip readers even if it is at times a bit difficult to follow . (Thriller. 14-18)

Pub Date: June 7, 2016

ISBN: 978-1-61963-803-7

Page Count: 432

Publisher: Bloomsbury

Review Posted Online: March 15, 2016

Kirkus Reviews Issue: April 1, 2016

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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