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THE UPPER CASE

TROUBLE IN CAPITAL CITY

Both a hilarious spoof of a noir novel and a clever comment on modern punctuation misuse

Lazar and MacDonald continue the relentless puns and fun with letters of 7 Ate 9 (2017), framed, like its predecessor, in the style of a mid-20th-century detective novel.

Private I, an actual letter I with little arms and legs, is dozing in his office when Question Mark and a rather shifty-looking Exclamation rush in to inform him that all the uppercase letters are missing, a surprising event in Capital City (geddit?!). No half-wit, I realizes that he is the “last capital letter standing” and resolves to take on the case. Chaos has erupted in the city, and random lowercase letters and punctuation run riot. I discovers that his favorite waitress, B has not shown up for work in the Café Uno—now known as “afé no” due to the dearth of uppercase letters. I takes the train out to Cursive Loop and finds the missing capitals all stuck up on a movie theater’s marquee, placed there by Exclamation, who, according to B, “promised to put us all in the movies.” Exclamation’s explanation is a subtle dig at overuse of this symbol: As he says, “Capital letters are always calling me…YES, HA, OMG!” Exclamation is arrested by the Grammar Police and put away for a “short sentence.” MacDonald’s illustrations, with classic typesets and hints of the Manhattan skyline, perfectly capture the retro mood and comedy of the concept.

Both a hilarious spoof of a noir novel and a clever comment on modern punctuation misuse . (Picture book. 6-10)

Pub Date: Oct. 15, 2019

ISBN: 978-1-368-02765-6

Page Count: 32

Publisher: Disney-Hyperion

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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THE MYSTERIOUS MESSENGER

An effort as insubstantial as any spirit.

Eleven-year-old Maria Russo helps her charlatan mother hoodwink customers, but Maria has a spirited secret.

Maria’s mother, the psychic Madame Destine, cons widows out of their valuables with the assistance of their apartment building’s super, Mr. Fox. Madame Destine home-schools Maria, and because Destine is afraid of unwanted attention, she forbids Maria from talking to others. Maria is allowed to go to the library, where new librarian Ms. Madigan takes an interest in Maria that may cause her trouble. Meanwhile, Sebastian, Maria’s new upstairs neighbor, would like to be friends. All this interaction makes it hard for Maria to keep her secret: that she is visited by Edward, a spirit who tells her the actual secrets of Madame Destine’s clients via spirit writing. When Edward urges Maria to help Mrs. Fisher, Madame Destine’s most recent mark, Maria must overcome her shyness and her fear of her mother—helping Mrs. Fisher may be the key to the mysterious past Maria uncovers and a brighter future. Alas, picture-book–creator Ford’s middle-grade debut is a muddled, melodramatic mystery with something of an everything-but-the-kitchen-sink feel: In addition to the premise, there’s a tragically dead father, a mysterious family tree, and the Beat poets. Sluggish pacing; stilted, unrealistic dialogue; cartoonishly stock characters; and unattractive, flat illustrations make this one to miss. Maria and Sebastian are both depicted with brown skin, hers lighter than his; the other principals appear to be white.

An effort as insubstantial as any spirit. (author’s note) (Paranormal mystery. 7-10)

Pub Date: July 21, 2020

ISBN: 978-1-250-20567-4

Page Count: 320

Publisher: Christy Ottaviano/Henry Holt

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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