An impressive, intimate, inclusive, truth-telling treasure.
Essays on shame and vulnerability from a diverse array of Black thinkers.
“White supremacy,” writes co-editor Burke, “has added another layer to the kind of shame [Black people] have to deal with, and the kind of resilience we have to build, and the kind of vulnerability that we are constantly subjected to whether we choose it or not.” Burke teams up with researcher and bestselling author Brown in a collection of 20 essays by Burke, actor Laverne Cox, scholar Imani Perry, writers Kiese Laymon and Jason Reynolds, and a host of educators, artists, activists, and other thought leaders who explore the Black experience with shame resilience and vulnerability. They frame the issues through a variety of lenses, including mental illness, masculinity, religion, disability, addiction, queer identity, academia, and grief. In a stunning essay among many standouts, Sonya Renee Taylor writes, “My mommy was dead in every city of every nation on the planet and that truth bulldozed me.” Fittingly, the title of this extraordinary collection is derived from a line from Toni Morrison’s Beloved, a novel about the nature of freedom and the reclamation of self. Tanya Denise Fields, founder and executive director of the Black Feminist Project, deconstructs the shame she felt as a victim of intimate partner violence, and Reynolds reckons with a shameful moment in his relationship with his beloved mother. Austin Channing Brown writes about “foreboding joy” and the moment she saw her toddler son’s reflection in the mirror; he was wearing a hoodie and looked like a tiny Trayvon Martin. Penned by a refreshing blend of well-known and lesser-known contributors, these compact, deeply reflective essays pack emotional punches usually found only in full-length memoir. The writers powerfully articulate not only their challenges, but also their hope, resilience, and practical wisdom.
An impressive, intimate, inclusive, truth-telling treasure.Pub Date: April 27, 2021
ISBN: 978-0-593-24362-6
Page Count: 258
Publisher: Random House
Review Posted Online: May 17, 2021
Kirkus Reviews Issue: June 15, 2021
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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