Next book

YOU ARE YOUR BEST THING

VULNERABILITY, SHAME RESILIENCE, AND THE BLACK EXPERIENCE

An impressive, intimate, inclusive, truth-telling treasure.

Essays on shame and vulnerability from a diverse array of Black thinkers.

“White supremacy,” writes co-editor Burke, “has added another layer to the kind of shame [Black people] have to deal with, and the kind of resilience we have to build, and the kind of vulnerability that we are constantly subjected to whether we choose it or not.” Burke teams up with researcher and bestselling author Brown in a collection of 20 essays by Burke, actor Laverne Cox, scholar Imani Perry, writers Kiese Laymon and Jason Reynolds, and a host of educators, artists, activists, and other thought leaders who explore the Black experience with shame resilience and vulnerability. They frame the issues through a variety of lenses, including mental illness, masculinity, religion, disability, addiction, queer identity, academia, and grief. In a stunning essay among many standouts, Sonya Renee Taylor writes, “My mommy was dead in every city of every nation on the planet and that truth bulldozed me.” Fittingly, the title of this extraordinary collection is derived from a line from Toni Morrison’s Beloved, a novel about the nature of freedom and the reclamation of self. Tanya Denise Fields, founder and executive director of the Black Feminist Project, deconstructs the shame she felt as a victim of intimate partner violence, and Reynolds reckons with a shameful moment in his relationship with his beloved mother. Austin Channing Brown writes about “foreboding joy” and the moment she saw her toddler son’s reflection in the mirror; he was wearing a hoodie and looked like a tiny Trayvon Martin. Penned by a refreshing blend of well-known and lesser-known contributors, these compact, deeply reflective essays pack emotional punches usually found only in full-length memoir. The writers powerfully articulate not only their challenges, but also their hope, resilience, and practical wisdom.

An impressive, intimate, inclusive, truth-telling treasure.

Pub Date: April 27, 2021

ISBN: 978-0-593-24362-6

Page Count: 258

Publisher: Random House

Review Posted Online: May 17, 2021

Kirkus Reviews Issue: June 15, 2021

Awards & Accolades

Likes

  • Readers Vote
  • 62


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 62


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Next book

DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

Close Quickview